Visible crew/equipment: During the fight sequence "The Last Two" between the remaining Treadstone agents, after Bourne is first shoved into the venetian blinds, look on the lower right corner (behind the wall) for a camera operator's hands and the lens hood of their respective camera. (00:41:40)
Visible crew/equipment: When Denzel is trying to get information on Samuel Ramos he is talking to a woman on the phone. When we first see her talking next to her computer, this shot begins looking over a rail and pulls back. As the camera pulls back, the track that it is sitting on is visible on the bottom right of the screen. You can also see electrical wire next to the track.
Visible crew/equipment: During the first fight against the axe gang, a peasant, a tailor, and a baker fight the Axe Gang. When the axe gang gets the guns out of the trunk of the car, the camera is reflected as the trunk hood is going up.
Visible crew/equipment: This movie is set in 1889. There are clear deep truck wheel tracks on the road when Gummer is about to leave Rejection. The steam tractor's wheels are too wide to make these tracks. (01:05:30)
Visible crew/equipment: When Riddick's team reaches the crematoria hangar with the Necros already there, there are two "lensers". As the camera pans to the first lenser full frontal it turns its head, and in the glass of its face plate you see the banks of studio lighting and camera crew. But when the scene cuts to what it is looking at, you see rocks. The effect also occurs when the second "lenser" turns its head , but the visible equipment is less. (01:24:45)
Visible crew/equipment: At the banquet when the woman is standing in front of the car singing and the camera passes by her, you can see the shadow from the cameraman on the side of the car. (01:15:20)
Visible crew/equipment: Three times you can see lens flare as the camera is pointing towards the sun: the airborne-shot of the Jefferson Memorial (in this one you can even see a part of the airplane or something else in the lower left corner), the Philadelphia skyline as they drive into Philadelphia, and the view from the "target location" of the shadow of the cross (near the brick containing the glasses) towards the steeple with the bell.
Visible crew/equipment: In the scene in the museum, when Abe shows John Hurt what happened in the building, a reflector screen is reflected in John Hurt's glasses.