Visible crew/equipment: Right after Cerebro begins to kill all the mutants, Mystique gets down on her knees in pain and tells Magneto to hurry. The next scene is a shot of Stryker running down a corridor and opening a door to go outside. Before he opens the door, you can see the shadow of a crew member going across the door.
Visible crew/equipment: At the bullfight a crew member is reflected in Sands' sunglasses in several shots. (00:32:20)
Visible crew/equipment: In the scene where Mays Gilliam is walking in the rain after finding out he no longer has a job, it is so sunny, that you can actually see the rain-making machine in one of the shots. It looks like a windmill spraying water and its shadow is reflected on a roof of a building. (00:13:50)
Visible crew/equipment: When Ben is on the motorcycle getting chased, and the camera is shooting him out of the cop's car, you can see the cameraman's refelection of himself sitting in the front seat.
Visible crew/equipment: When Red has the accident and the horse is trying to get on its feet there is a clear view of the stuntman's face. (01:29:55)
Visible crew/equipment: In the scene with Hardy and the Colonel, in the Colonel's office where they share a drink and the Colonel gets shot, you can see a stage light outside the window as Hardy gets off the phone during the first shot. You can see the light and the gel-frame, looks to be a 5k HMI type light. (DVD)
Visible crew/equipment: When Donna and her boyfriend leave his family's house in the end, in the front window of the house you can see a white van and film crew.
Visible crew/equipment: When the farmer fires the hole puncher cannon at the Creeper the first time with the line attached, the screen changes to a higher view, from here you can see there are two lines attached to the cannon, but he only fired one. This would be for the crew to pull the truck around safely. (01:14:45)
Visible crew/equipment: When Bob is taking a bath and receives a phone call from his wife, a microphone is visible in the upper left, coming from behind a wall for a few seconds.
Visible crew/equipment: In Venice, when they enter the house, the camera crew is reflected on the windshield of the boat. It is very obvious. (00:08:00)
Visible crew/equipment: When Johnny English is getting out of the truck, we see a wide shot. In the bottom of the reflection you can see what looks like a clapperboard. (00:22:55)
Visible crew/equipment: When Jake introduces Lily and Lupus to the other two guys the white screen is visible in Lupus's left glass lens at the beginning of the scene.
Visible crew/equipment: At the airport when Sona says to Ling "We may have a problem," we can see the movie crew reflected at least twice in her sunglasses before they enter the car. (00:18:05)
Visible crew/equipment: In the shot of Michael Douglas pouring a drink at the back of the plane, you can see the boom mike overhead.
Visible crew/equipment: During the scene where there is boxing music being played, as the players are entering the bowling green, a cameraman can be seen following the pair.
Visible crew/equipment: When they unearth the cadaver, you can see in some shots that he wears a blue string. One of the men even sees it and tries to hide it subtly.
Visible crew/equipment: Eddie Yang chases a black man, who gets on a ladder. The ladder starts to tip over and a part of the set comes on screen at the base of the ladder. (00:30:50)
Visible crew/equipment: When R enters the control room where Cyper is waiting and the camera moves towards Cyon, you can see the reflection of the camera in the curved glass. (01:35:20)
Visible crew/equipment: In the scene where Sam Jackson and Colin Farrell are stopped from escaping the subway tunnel at a locked gate, they get the idea to blow the lock with explosives but there is a visible, unexplained string extending from the lock as it is used to create the effect of the lock being blown off.
Visible crew/equipment: When Radio is at the Christmas party and is looking at his reflection on the ornament, you can see the lens of the camera in the reflection.