Visible crew/equipment: In the "Battle of Carthage" in the Colosseum, one of the chariots is turned over. Once the dust settles you can see a gas cylinder in the back of the chariot. (01:22:55)
Visible crew/equipment: In the scene after Patrick Bateman's second encounter with the detective in his office, we see Bateman having sex at Courtney's apartment. After he rolls off her, Bateman approaches the large, stand-up mirror in the bedroom. In the upper right hand corner of the mirror, a boom microphone can clearly be seen moving around to pick up Christian Bale's lines. The next time we get the same long shot, the microphone is gone. (00:52:45)
Visible crew/equipment: In all the President Kennedy White House shots, you can see the boom mic peak down several times. Look for the group shots, and the boom mic will be there.
Visible crew/equipment: In the final battle scene where Benjamin is fighting Tavington one-on-one, the camera angle widens and shows the whole battle scene. In the bottom right corner, you can see another camera filming the action.
Visible crew/equipment: When Dodd pulls in behind Leonard in the alley the crew is reflected in his SUV. (00:53:00)
Visible crew/equipment: While People's brother is waiting in the car he gets shot in the head. If you slow the scene you can see an empty blood sack near the back of the window.
Visible crew/equipment: When Coach Boone is about to go to Coach Yoast's house to apologize for accepting the head coaching job, you can see in Yoast's house through a window from outside, before Boone knocks on the door and see little Sheryl sitting down. If you look closely you can see the camera man's reflection in the window.
Visible crew/equipment: When Cage exits his office building on Christmas Eve, the reflection of a boom mic is visible in the revolving doors.
Visible crew/equipment: In the shot where Diesel 10 races past Thomas and Gordon near the beginning, you can see a black pencil on the right of the screen.
Visible crew/equipment: When Tony goes to steal the drugs from the car, you can see the crew reflected in the driver's sun glasses.
Visible crew/equipment: When the car is sitting in the back of the trailer there is a cable visible connected to the front of the car. In the next scene the cable is gone.
Visible crew/equipment: When Chuck is crawling on the floor of the plane to reach the watch, the compartment behind him where the raft was stored, you can see the stairs leading down into the set. (00:23:40)
Visible crew/equipment: In the scene at the motel where Matthew says to his mom (Erin Brockovich) "I'll bring you back some breakfast", look at the TV next to the door. You can see one of the film crew holding the boom microphone. (01:50:28)
Visible crew/equipment: After Cherie falls off her bike, because the limo almost hits her, as the chauffer opens the limo door, a crewmember is reflected in it. (01:18:45)
Visible crew/equipment: At the part when Saffron Burrows is crossing on the opposite side of the street, you can see a camera crew off the reflection of every car they pass.
Visible crew/equipment: During the scene where Chopper shoots Sammy the Turk in the eye with the shotgun in the car park behind Bojangles, the pregnant woman runs back to the car after witnessing the shooting, you can see the boom mike in the bottom right of the car's windscreen.
Visible crew/equipment: In one scene Julia is in the cell and the sprinkler turns on. It stops, then she goes to the glass panel and starts banging on it and yells "Let me the fuck out! Let me out!", and you can see the reflection of a cameraman with a camera trying to keep a low profile, as she runs across, banging and shouting this. (01:08:10)
Visible crew/equipment: Near the end of the film after Russell and his buddies have stormed the camp and rescued Meg's husband, Russell sets a claymore mine on the escape path. As soon as the bad guys get close to the mine, Russell detonates it. If you look above the two bad guys as the mine is detonating (just before the camera cuts to Russell and back), you can see the wires they are harnessed to.
Visible crew/equipment: After Jules tells Frank to give the radio a rest, Frank heads upstairs to Johnny at his bedtime. It then intercuts between 1969 Frank and adult John simultaneously singing "Take Me Out to the Ball Game," and just as Frank sings, "Cause it's root, root, root for the home team," a crew member's hand appears between the bed and dresser in order to settle the rambunctious pup, Elvis. (00:21:35)
Visible crew/equipment: When Yeoman Swain views his hometown through a periscope, you see someone walking along the waterfront. Suddenly this person takes a dive behind a barrier, realizing there's not supposed to be anyone alive. (02:12:00 - 02:13:00)