Visible crew/equipment: When Dodd pulls in behind Leonard in the alley the crew is reflected in his SUV. (00:53:00)
Visible crew/equipment: When Memphis (Nicolas Cage) is speeding up to take the final jump on the bridge, you can see the camera crew on the other side of the road filming, if you look closely you can make out the shading devices used exclusively to block out the sun from the camera. Look to the left of the jump just before he hits it. (01:39:30)
Visible crew/equipment: When they are making the face of big momma we see the camera pass Malcom's back and then out again. When it reaches the other side you can a cameraman with a beard watching him in the mirror just before the other guy walks into the room. (00:17:00)
Visible crew/equipment: While People's brother is waiting in the car he gets shot in the head. If you slow the scene you can see an empty blood sack near the back of the window.
Visible crew/equipment: Lilly and her mother are watching the television at the end of the film. In the close up of her mother there's a shadow moving behind her. They are supposed to be alone. (01:18:25)
Visible crew/equipment: When Tony goes to steal the drugs from the car, you can see the crew reflected in the driver's sun glasses.
Visible crew/equipment: When the car is sitting in the back of the trailer there is a cable visible connected to the front of the car. In the next scene the cable is gone.
Visible crew/equipment: After Avi and Co have just met with Bullet Tooth for the first time they go out and get in his car. Here you can see the boom mike reflecting in the center of the bonnet.
Visible crew/equipment: As Nadia Fares is assisting Jean Reno with his gear for the descent into the crevasse, a camera crane is reflected in Jean's glasses.
Visible crew/equipment: During the scene where Chopper shoots Sammy the Turk in the eye with the shotgun in the car park behind Bojangles, the pregnant woman runs back to the car after witnessing the shooting, you can see the boom mike in the bottom right of the car's windscreen.
Visible crew/equipment: In one scene Julia is in the cell and the sprinkler turns on. It stops, then she goes to the glass panel and starts banging on it and yells "Let me the fuck out! Let me out!", and you can see the reflection of a cameraman with a camera trying to keep a low profile, as she runs across, banging and shouting this. (01:08:10)
Visible crew/equipment: After Gracie leaps off stage onto the gun man and yellow shirt man, she and the two men fall to the ground. A piece of the light blue safety mat can be seen under the legs of the yellow shirt man. Don't confuse it with the blue pants of the woman sitting center screen. It can also be seen in the news broadcast that's on TV later. Use slo-mo if necessary. This is not a Pageant mat. (00:54:20)
Visible crew/equipment: After Jules tells Frank to give the radio a rest, Frank heads upstairs to Johnny at his bedtime. It then intercuts between 1969 Frank and adult John simultaneously singing "Take Me Out to the Ball Game," and just as Frank sings, "Cause it's root, root, root for the home team," a crew member's hand appears between the bed and dresser in order to settle the rambunctious pup, Elvis. (00:21:35)
Visible crew/equipment: Right before he discovers the knife that killed his girlfriend, someone's hand is visibly scaring the crow off the top of the filing cabinet. (00:18:00)
Visible crew/equipment: Near the end at the fine art museum, the camera moves in for a close up of Oz in the Beatle. When it does, you can make out the camera in the Beatle's paintwork. (01:20:20)
Visible crew/equipment: After the airport altercation Gal and Aitch are sat on the bed discussing Don Logan and the boom microphone can be seen in the top left corner of the screen. (00:51:38)