Visible crew/equipment: When Sarah is fighting with Garcia in her home, for a brief moment 2 crew members are seen, one in white shirt and beige pants (looks like director Clint Eastwood) and the other wearing a blue shirt and dark pants. (01:24:15)
Visible crew/equipment: Towards the end of the movie, the Predator is climbing up the side of a tall building. Danny Glover jumps in his car to take off after it. As he starts to drive away, towards the left you can see the shadow of an elevated cameraman/equipment. (01:03:55)
Visible crew/equipment: When the crazy woman who said that Edward comes from hell leaves the backyard, you can see the reflection of a crewmember on the left side of the window.
Visible crew/equipment: As Nikita is dragged from the courtroom by the police, she rolls around. You can see that a pad has been taped to her lower back for protection. (00:11:45)
Visible crew/equipment: In the shot in April's apartment where Leonardo and Raphael are arguing about how they should look for Splinter and the Foot, a crew member with an orange hat can be seen ducking behind the table on the left. (00:38:00)
Visible crew/equipment: When a carload of bad guys drives past the front of Seagal's sister's house and riddles the front of the house with machine-gun fire, Seagal quickly slams the front door shut, and you can very clearly see all the stunt charges attached to the door.
Visible crew/equipment: When Dr. Faxx is programming the new directives into RoboCop, the camera pans around RoboCop's body. You can see the reflections of a camera and a crew member on RoboCop's helmet. (00:47:55)
Visible crew/equipment: When Mrs. Sullivan pulls up along the road, three crewmembers pushing the camera along are beautifully reflected in the side of her car. (00:57:15)
Visible crew/equipment: When Becker is shot while eating a sandwich and watching TV, the leads to his gunshot squib can be seen coming out of the bottom of his trouser leg as he reels back from the impact of the blast.
Visible crew/equipment: After Henry pistol-whips his neighbour he goes to Karen's home. She opens a glass door and a boom mike, set lights and crew are reflected on it.
Visible crew/equipment: When the lizard gets away, and is riding in the elevator, it is shown alone in there. In the next shot from the back of the lizard, you can see the shadow of the handler or crew-member's head moving around on the top of the lizard.
Visible crew/equipment: When Joey is showing one man a red car, when the man opens the car door to get in, a large white reflector screen and a crewmember holding it are reflected. (00:31:00)
Visible crew/equipment: The scene where the red car explodes you can see the wires used to set off the explosives.
Visible crew/equipment: When Kevin first realises he's home alone and goes into Buzz's room, there is the leg of a crew member to the bottom right of the picture (wearing jeans). (00:19:20)
Suggested correction: Not visible at all.
Visible crew/equipment: During the montage of the kid, there is a shot looking in from the front of the car (featuring Dick Tracy and his girlfriend, with the kid in the middle) where the back window is just a blue screen, and the black stage curtains (behind the car) are visible at the top edges of the screen. (00:26:30)
Visible crew/equipment: There is an entire scene done with a full room camera shot, and for the entire scene you can see the boom mic at the top of the screen.
Visible crew/equipment: You can tell when the maniac cop is getting burnt in the prison, that it's a stunt man wearing a protective bag over his head.
Visible crew/equipment: When Darkman swings on the wire to save Julie, you can see a large wire coming out of his shirt to support his weight, and you can make out several large wires holding Julie in the shot of her being grabbed.
Visible crew/equipment: Before Ronnie goes into kill George Cornell as hes getting out of the car look at the side window and you can see a boom mic reflected.
Visible crew/equipment: In the very beginning of the movie during the opening credits, we are shown a picture of a park and then the camera zooms out and slides down a row of subway passengers, ending on Bill Murray. During this scene, you can see the reflection of the camera crew as it moves down the line from passenger to passenger in the windows of the subway train. (00:00:40)