Visible crew/equipment: In the Reactor Room scene, where the Marines first encounter the aliens, there's a part where Dietrich is grabbed from behind and accidentally ignites Frost with her flamethrower, causing him to fall down the stairwell. As he's falling, if you look, you can see part of a leg and a cable belonging to one of the technicians on the set. (01:14:05)
Visible crew/equipment: During the boat race when the rabid dolphin captures the man, the little girl raises out of the top. You can see a crew man inside the hole on the right of the girl.
Visible crew/equipment: When Isabelle runs from the zombies at the end, cameramen shadows are frequently cast on the zombies.
Visible crew/equipment: Near the climax, Will Graham is sneaking through the woods, approaching Dollarhyde's house. In one shot, Graham steps more carefully and glances down; the camera is in front of him moving as he's moving. And for a couple of seconds, the camera dolly tracks are visible behind him, just to his left.
Visible crew/equipment: The boom mike is visible during the love scene between the lead female and the main skater.
Visible crew/equipment: When Philip and Diane are walking to the car discussing their relationship, you can see the boom mic reflected off the black car next to Philip's car.
Visible crew/equipment: When the Overlord is busy destroying the Diner, when he starts destroying stuff on the counter, you can see the small rods pop up that flip the saucers and glasses into the air. You can also see the compressed air they used, to aid with the effect.
Visible crew/equipment: When Kazihiro turns off the T.V. while the Twisted Sister music video is on, you can see a crew member reflection in the television.
Visible crew/equipment: A couple of the Wildcats decide to kidnap a rival school's mascot goat. When they are driving away with the goat, you can clearly see a pair of hands holding the goat's front legs in place between the two front seats from the backseat.
Visible crew/equipment: When Jeff Goldblum is first showing his telepods to Geena Davis, as the door to the first pod opens, you can see a reflection of a stage hand in the lower left corner of the pod door.
Visible crew/equipment: In the Sandy/demon scene, when the cops arrive an officer says, 'I know you, right? You're Roger...' you can see the boom mic reflected on the visor of his police cap.
Visible crew/equipment: At the end, when the bad guy's car rolls over, there is one man in the driver's seat in an orange outfit, obviously a stuntman, instead of the two men in black suits.
Visible crew/equipment: When Daniel and Mr Miyagi are walking along the street (near the time where Daniel uncovers the "weights scam" on the scales of the vegetable buyer), the camera dolly handle is plainly in view at the bottom of the screen. (Fullscreen)
Visible crew/equipment: Special effect projectors and strobe lights can be seen in a reflection on Max as the ship is descending towards the bay - moments before blasting into hyperspace to return David to his home in 1978. (01:22:15)
Visible crew/equipment: When Brad Sr. brings Terry to the motel, the boom mic is reflected on the passenger-side window.
Visible crew/equipment: Near the beginning, there is a scene with a motorcycle riding on top of some wood pillars. The camera switches to the motorcycle's point of view and the camera car it is riding on is visible during the entire shot.
Visible crew/equipment: Before the slug crawls out of the room, the crew member shaking the bed is noticeable on the left side of the screen. (01:07:25)
Visible crew/equipment: When Jason and RJ get to the abandoned house and drink some cokes a boom mic is seen at the top of the screen.
Visible crew/equipment: During the second trip around cities, the camera is very close to the car, and a rectangular black object is reflected on the chromed frame of the grille, most surely the camera or the structure it was attached to. One can see what seems to be fingertips on the upper part.
Visible crew/equipment: When Crispin Glover goes into a telephone booth to make a call, the cameraman and his camera are reflected in the glass.