Other mistake: There is something drastically wrong with the design of the spherical 'Aries' moon shuttle. Some seats and many fixtures are 'upside down' relative to the up-down orientation of the shuttle itself, and we see loose food trays and equipment about the place as if this is routine. But - the shuttle is designed to land on the moon. What happens then? The moon has gravity, remember? There are going to be quite a few very disgruntled people dangling upside down like spiders, and there will be loose gear (and perhaps a stewardess or two) bouncing about all over the place. It is not a matter of stowing loose gear or lying flat on landing - some parts of the shuttle are upside down relative to others, which is why the stewardess has to do that famous 180 degree upside down walk. Whichever way you look at it the shuttle is going to encounter serious problems when it reaches a gravity well, which will occur whenever the engines are fired up, never mind landing on the moon.
Continuity mistake: In the British Museum, when Rick and Ardeth are saving Evie, Rick gives her a .45 pistol and they start to shoot the guards, her pistol fires once and the slide locks back meaning the pistol had no ammo, but she keeps firing as if the magazine was still full. (00:39:47)
Continuity mistake: During Andy's daydream at the beginning of the film, Mr. Potato Head has an eye patch over his left eye. When the daydream cuts back to reality we see that Andy has removed Mr. Potato Head's left eye to symbolize the eye patch. But when Andy's mum comes in with the video camera, his left eye is suddenly back in. (00:01:15 - 00:05:25)
Factual error: Towards the end of the movie when Andy is escaping, he breaks open a sewage pipe and is covered with its contents. It is physically impossible for the sewage to shoot out of the break like it did. In order for that to happen there has to be pressure. But there is none there, because the end he crawls through is empty and the end is in the open air. (01:52:20)
Continuity mistake: When Del comes out of the passenger side of the dairy truck, he is with a black eye, for no reason. The next scene, it is not there. It is there again when he admits to being homeless. (Steve Martin punched Del in a deleted scene.)
Plot hole: The huge guns are set high up on a cliff face facing out to sea and it is obvious that they cannot be depressed to fire at a downward angle - the massive gun carriages set on rails would prevent that happening. They cannot be elevated to fire at an upward angle, too, because they fit pretty snugly in the hole cut into the cliff face to accommodate them. This means that their maximum and minimum ranges would be quite close together, covering a strip of maybe a few hundred metres either side. Given that the sea is completely open on the side of the island they are protecting, why don't the ships targeted by the guns while passing the island simply sail inside or outside of the narrow stretch of sea the guns can hit?
Suggested correction: The guns are firing across a strait. A strait is a "narrow passage." Since the targets must appear at a limited range, the guns only need a limited elevation angle.
Watch the film again. The guns are facing the open sea. There is no land visible anywhere behind the ships. If that's a strait, it's a very, very wide one.
Other summaries explain that the strait is only deep enough for the ships at the place which matches the guns' range. So ships could not take advantage of further away or closer in.
Suggested correction: That the gun carriages are supposedly set on rails is not correct. In the novel template, as well as in the film, it is shown that the guns were installed on turntables. And as for their variable angles of fire - it could be due to (fictional) modifications.
Visible crew/equipment: At the end when Sidney's dad falls out of the closet, if you look closely you can see the hands of a crewmember who was in there too, pushing items out after him. (01:42:40)
Revealing mistake: During the bedroom scene with Felicity and Fat Bastard you can clearly see the air hose that fills his suit when he rolls over in the bed. (00:49:10)
Factual error: In a scene that takes place in 1956 or 1957, Alicia Nash places an orange Tupperware container in the refrigerator. Although Tupperware first became very popular in the mid-50s, the particular model of Tupperware used in the film was not introduced until the late 60s or early 70s.
Continuity mistake: In the final battle, Wasp and Ant-Man are in the van trying to get the quantum tunnel operational. We cut back to the fight and we can see Ant-Man there too, fighting in his giant form. (02:22:20 - 02:23:00)
Suggested correction: He needed to hot-wire the van. It's quite possible he could have left the van for parts (he's seen slamming a Leviathan to the ground) or to protect it. It also could have been an illusion by one of Dr. Strange's people.
Sorry but the suggested correction makes no sense. For one Dr Strange's people have no idea what Ant-Man looks like, and secondly Ant-Man would have no idea where to get parts from in the middle of a battlefield, let alone know if alien technology would be compatible. Also the time frame given when the scene plays out allows no time for him to leave the van, this is a legitimate mistake.
Dr. Strange's people don't know what Ant-Man looks like? He entered the battle with them long before they went to the van. Earth has had access to the same Leviathan parts since the original Avengers. If Toomes can make wings out of it in Spider-man Homecoming, it's possible he can figure something out. Clint had passed the glove to Black Panther before Ant-Man is seen in the background. There was plenty of time. He also could have been defending the van while they brought the glove.
There is plenty of time for Ant-Man to have left the van and returned to it. As the scenes play out, Ant-Man and Wasp are in the front of the van trying to hot wire it. The film then cuts to the battle for several minutes, as we see the passing off the gauntlet, which includes the brief shot of Giant-Man in the background. A few minutes later the film cuts back to the van and we see Scott opening the rear door of the van. So there's plenty of time for him to have gotten out of the van, saw potential trouble with the Leviathan, turned into Giant-Man to stop it while letting Hope finish activating the tunnel, and then returning to check the final settings. Now, all this raises another question that has to do with the apparent ease Giant-Man has in traversing the battlefield, as in why not just give Scott the gauntlet, have him turn into Giant-Man, take a few steps over to the van, and then shrink back down to take the stones back in time?
Continuity mistake: During the infamous leg un-crossing scene when Sharon Stone is being interrogated, a cigarette in her hand disappears and then reappears.
Other mistake: Clarence tells George that his brother died at the age of 9 because he wasn't there to save him from falling through the ice, but when you see the tomb stone, it shows Harry Bailey was born in 1911 and died in 1919. That would make Harry only 7 or 8 years old.
Character mistake: A TV news announcer describes Alan Shepard's first manned launch into space as him being lifted to "an altitude of 116 miles per hour." That's not an altitude, that's a speed. It should have just been "116 miles."
Continuity mistake: On Utapau, when Obi-Wan faces off with Grievous, Grievous sends 4 MagnaGuards against Obi-Wan. Obi-Wan Force-pulls something from the ceiling to crush the droids. But in the ensuing fight between Obi-Wan and Grievous, the ceiling thing and crushed droids are gone.
Plot hole: R.J. Fletcher is shown as a ruthless businessman who knows everything there is to know about Channel 62 - who owns it, how much it's worth, who is running it, the financial troubles it is having and so on and so on. He is also fully aware of the telethon and the fact that George is selling the station as a going concern for a total of $75,000.00. It is simply asking too much of audience credulity or 'suspension of belief' to think that such a hard-headed businessman would not work out that he could, using stooges, buy a controlling interest in the station for $37,501.00, saving himself a small fortune and closing the station down over the objections of his minority shareholders. Something this blatant could not possibly be a character mistake - he is already planning on buying the station for the full price (from Big Louis) so don't tell me he wouldn't just switch plans and buy it from George instead!
Plot hole: This film is set in 2004. The thought that no search and rescue operations would be put in place after an aircraft disappeared from radar during a routine flight is absurd. The Chinese are paranoid about intrusion on their territory and the downed aircraft would have been located by a simple satellite search within hours of it crashing. Chinese military satellites crisscross the Gobi and they are equipped with optical cameras, microwave and infrared detectors and radar, so spotting a metal aircraft on the ground would be simple even if it was hundreds of kilometres off course. The crew would have been visited by Chinese military helicopters (and probably arrested!) as soon as the storm had died down.
Suggested correction: The Chinese government, for whatever reason, may have denied there was any crash at all if it suited their purposes, and the oil company that owned the plane would have little recourse. The Chinese have done this before. For the purpose of the plot, the survivors decided that they had to save themselves rather than wait for rescue and that was completely plausible.
Suggested correction: It's now 2021, and we still can't find Malaysian Airlines MH370. So this suggestion of planes always being found is laughable.
MH370 crashed into the ocean, and in fact some wreckage has been found. The Chinese military does not have the south Indian Ocean under satellite surveillance 24 hours a day, 365 days a year, unlike the Gobi desert where a crashed plane would be spotted within hours of it going missing.
Revealing mistake: When Lara Croft goes into the water near the end to try to save her male rival, Alex West, after he is stabbed and ground between the gears, when Lara stands up, you can see the make-up coming off her arm that covers Angelina Jolie's "Billy Bob" tattoo.
Factual error: Based on the films being shown at the theater, the movie appears to be set in 1981. One of the TV commercials shows the Energizer Bunny, which didn't make its first appearance until 1988.
Visible crew/equipment: When Neo is going to open the door to enter the Oracle's house, you can clearly see a camera on the doorknob. There's a sheet over it painted to look like the wall behind it, with a representation of Morpheus' tie too, because he's blocked by the camera. (01:07:40)
Factual error: The hat that Brad Pitt wears in the 1985 scenes is a Padres hat with navy, orange and white as the colours. In 1985, the Padres' colors were brown and yellow. The color change didn't come until late 80's or early 90's.
Suggested correction: The shuttle lands "on its back" with legs extending beyond the engines. As in most traditional sci-fi, and ALL actual, space flights to date, the launch (and landing) orientation for humans is to be on one's back. This minimizes blood being sucked down to your feet if you were sitting upright at launch - you could pass out. So we see this when the shuttle lands on the moon - the cockpit (red window) faces up (pilots on their backs, facing out the window). When we presume that the passenger cabin was 180 degrees spun around from the cockpit seating, they're still on their backs. Any loose objects would have been stowed before landing - the airlines don't lock down your bags, newspapers and coffee cups, right? They're loose in the cabin during flight, but put away on takeoff and landing.
Airliners do not fly upside down. The Orion shuttle cannot possibly operate the way it does if it lands in a gravity environment - some rooms are upside down relative to others - why else would the stewardess do the 180 degree vertical walk? It is an idiotic design flaw, and the posting is 100% correct.
The Aries passengers sit and stand with their feet down towards the moon. The pilots sit with their back down to the moon, as conventional astronauts do on Earth. But the attendant's 180-degree walk is completely wrong to the orientation of the shuttle's interior: it should have been only 90° if you look at the Aries exterior. One assumes that Kubrick preferred a longer, more cinematic shot, over a technically accurate shot. But nobody was upside-down to the moon.