Question: Is it a coincidence that Needy uses the same knife that killed Jennifer to kill the band? Needy wouldn't have know about the knife since she wasn't present when Jennifer was killed.
Answer: When Jen was explaining how the band members through the knife in the waterfall. When needy was walking and found the knife, the knife was beside one of the balls that the scientists were testing where the water went to. It showed the scene where the scientists were putting little red balls down to see where they came up. So no it wasn't a coincidence, she knew that was the knife.
Answer: Maybe coincidence but I think she might knew its the same knife the bad used to kill Jennifer because of the power she got from the demon after being bitten by Jennifer aka the succubus.
Question: In the office scene where Mike and Olin are speaking of all the deaths that have occurred in room 1408 they say a specific number for each type of death. I added all the numbers up and got 43 but Olin said there had been 56 deaths total. Is my addition wrong or was is it a coincidence that there were 13 deaths they didn't speak of?
Answer: After they recite the types of deaths and the number attributed to each one Mr. Olin also says that there have also been natural causes of death as well which surprises Mike. The natural causes of death add up to the other 13 deaths.
First, I don't have a great memory - I had to re-watch the movie, writing down the numbers: 7 jumpers, 4 overdoses, 5 hangings, 3 mutilations, 2 strangulation's plus 22 natural deaths - I get 43 total, but later we hear of a man that drowned in his chicken soup... which fits none of the categories mentioned including natural. There is also mention of heart attacks, which I don't know if you would categorizes these as natural considering the circumstances. That is to say, they just didn't detail all 56 deaths. The book might, and mind you a book made into a movie is always too fast paced with so much detail crammed into 2 hours... there is really no time to digest all the material. I'm guessing this is a much better read. Also this movie PRE-supposes that a person understands a lot of things... I had to look the stuff up after the first viewing... then came to this site (as a means of looking some stuff up). Here's my low down - after the fast forward second viewing, literally taking notes: 1. The room is not haunted - something in the room is evil; this is stated when the hotel owner has conversations with writer just outside of the office on route to the elevator 2. The writer expresses this is : the seventh circle - the 7th circle is where those that committed the following violations are punished: a. Crimes against neighbours b. crimes against self >suicide c. Crimes against God, Art (grand daughter of God) and nature 3. The writer has pleaded Guilty as charged in the hotel managers office to charges of: believing in nothing (this would be God - and he states so later) and believing in no-one but himself 4. The writer opens the bible - and the page falls to Nathans Parable -2 Samuel 12 ==> had to look this one up - this is about being judged - mostly about a man who kills another and takes his wife - it's about judging yourself and paying for your sins. In this story the wife brings forth a child that god strikes down with sickness and the child dies... among other things. 5. It is generally believed that there are 3 things that allow for better mind control - or mind opening/bending experiences: a. Sugar b. Alcohol c. Drugs ==> he was given a bottle of alcohol which he consumes as well as chocolate squares on the bed - presumably the evil force has provided these to allow better mind control 6. All the pictures show some form of evil: the Schooner lost at sea, should we presume an act of evil in addition to potential future acts of cannibalism? The Hunt: which is where I believe the hotel owner originated from: escaping from a pore in the picture - he was the hunted (no glass covering on the picture) and he provided the alcohol - he also tries to stop the writer from taking the room, saying he doesn't have to do this (punish himself) and/or the manager senses the end of the room and potentially his existence Lastly the old women reading to the three children... I just can't make this one fit...which is actually when I started to review the relevance to evil there. The writer says the children are deranged...? 7. The demons all originate from the pictures - I think; the manager of the hotel, the knife wielding woman (schooner) . I'm unsure about the guy in the vent. That is to say, the pictures have brought the evil to the room; and the room has become a room where those who should be punished in the 7th circle are. 8. To prove the punishment room theory: in the file folder, as the writer approaches the room 408 - the notes indicate a man with the notation that: his brother was eaten by wolves on the Connecticut Turnpike - I'm guessing there was an act of cannibalism there. 9. Further to prove the punishment room theory - acts against art are really usury and charging interest (loan shark style - high rates to those that are desperate) - we see a business man jump - which later appears to be the man from the newspaper article that says: Dec. 06, 1938 Chicago factory owner leaps from bridge - stating Financial issues Ultimately this room is about judging yourself, deciding your own punishment and the evil forces dispensing the punishment. Think about the maid that only blinds herself with scissors, and the writer who has presumably already paid for most of his sins (daughter dies) but is still forced to suffer heat, cold, drowning, mental illness, isolation etc.
Answer: Olin simply did not list all of the causes/cases. He mentions the causes of 21 deaths before Mike cuts him off. He then mentions the 22 natural death cases. By no coincidence, the number of cases mentioned, 43, subtracted from the number of deaths Olin says actually occurred, 56, is 13. Afterwards, he reveals one more cause attributed to the unmentioned 13 deaths: drowning.
Question: In the openings scene, the prehuman drinks a tar-like fluid (like the one poisoning Halloway later on), while looking at a spaceship hovering above. He then dies, falls into the river and disintegrates. I do not understand this scene, is he the last of the surviving prehumans committing suicide and the ship above is the others leaving the planet?
Answer: The giant ship has landed on Earth to drop off the Engineer so that he can terraform the planet and make it sustainable for life. He might drinks the black stuff to break down his own structure and spread life on Earth through his own DNA.
Question: Is the reanimation of dead people the purpose of the virus, or an unforeseen side effect? If it's a side effect, what was the original purpose of the T-Virus?
Answer: Actually the T-Virus was originally meant as a cure for a genetic disorder that Dr. Ashford and James Marcus daughters suffered from. The reanimation was a side effect and James Marcus was killed by Dr. Alexander Isaacs so he could take control of it and turn it into a bio-weapon.
Answer: The original virus was a "Fountain of Youth" type of thing. Reviving dead cells so the host would stay young. It was so powerful that it reanimated the dead.
Answer: Wait, wasn't the original virus meant to control the scientists daughters genetic disease, not an eternal life serum.
Question: I heard that the marble ashtray that Bedelia uses to kill her father Nathan in the "Father's Day" segment appears in all the stories. Does anyone know the specific scenes it shows up in in the other ones?
Answer: Besides being in "Father's Day", it showed up in "The Lonesome Death Of Jordy Verrill" right next to the cash box at the Department of Meteors. In "Something To Tide You Over" on the nightstand next to Richard's bed. In "The Crate", it was on the writing desk when Henry writes the letter to Wilma. In "They're Creeping Up On You", Upson Pratt uses it as a soap dish. And in the epilogue, it appears on Billy's desk when he starts stabbing the voodoo doll.
Question: Who was the werewolf who killed Jenny? It couldn't have been Joanie as she was seen as having dark brown fur when she turned into a werewolf and the one that killed Jenny had dark gray fur.
Answer: I assumed it was Jake based on what transpired in the previous scene and his face was the last one shown before the elevator door closed. Jake told Ellie he didn't want to lose her, they had something "special", and asked if she would bear with him until he overcame some difficulties. Jake saw Jenny as a pest as well as someone who could ruin his still-developing (blossoming) relationship with Ellie. Jenny confronted Jake about not calling Becky anymore. Jake responded that he put himself "off the market" (was no longer available because he was pursuing Ellie), to which Jenny responded that she was "bummed" (disappointed because Jake was not free to pursue her). Jenny also put her hand over Jake's shoulder, which Jake did not like because he was not interested in her and was afraid that Ellie would see (which she may have). To top it off, Jenny kept following Jake around the room when he was talking to other people. Jenny was clingy and persistent - so had to be eliminated.
Question: How exactly does the father kill the wife? I noticed when she comes down the stairs she comes out of a bloody bag. So how is she killed?
Answer: Well, in the Japanese original (Ju-On: The Grudge), it shows that Takeo, the father, killed his wife by shoving a knife down her throat or something similar to that. When he was killing her, she tried to scream, except her scream came out all messed up (because the knife hit the vocal chords), which explains the horrible croaking noise. There's no doubt about it that it's the way she was killed in this version.
Answer: Another website states that after pushing her down, Kayako sprained her ankle and crawled down the stairs, only to realise Takeo was slowly following her from behind watching her suffer. He then snapped her neck, but she was still alive and could only make the croaking noise. It is also implied that he stabbed her multiple times afterwards, which could explain the bloody corpse.
Question: How can Michael recognize Laurie as his younger sister since he wouldn't have seen her since she was only two years old?
Answer: There is a scene where Laurie dreams about meeting Michael as a young teen. It's unknown whether this is an actual memory of real events, but since nothing indicates otherwise, we could assume the he saw her at an older age when she looked closer to her 17-year-old self.
Question: One of the early posters of this film shows a bearded guy (who is not in the film) coming through a wall crack and holding puppet strings with one hand. Who is this guy supposed to be and what does he represent?
Chosen answer: He does bear a striking resemblance to Stephen King. King was both the writer and director of this movie, and as such, was certainly the guy in charge of all the character's fates and pulling all the strings.
Answer: It is Stephen King.
Question: What is Chris McNeal's assistant listening to on the radio when Father Merrit arrives?
Answer: When it cuts to Chris MacNeil's PA, Sharon, listening to the radio it's only for about 20 seconds, and all we hear is a voice which presumably belongs to a random radio host or guest who is in the midst of offering motivational advice. This short scene serves to show Sharon's tension with what's going on in the house.
Question: Who is Conrad? Harry Conick, Jr.'s character writes him a letter at the end, and there is a Conrad character listed in the credits, but I haven't been able to find him.
Answer: I thought that it was Peter Kurten (Foley) that broke in and left the book. However if it was Conrad, then he does not appear in the flesh in the film.
You are correct. I just rewatched this tonight on Tubi.
Answer: Conrad is the man that breaks into Helen's flat and leaves the book. Happens just over 1 hour into the film.
Answer: I don't think Conrad appears in the film. Earlier in the movie HC Jr says he has other "disciples"; Conrad seems to be the new recruit to replace the just-killed McNamara character.
Question: Malcolm asks Roland why he'd kill a T-Rex. Roland proceeds to tell a story about a guy that went up a mountain and came back barely alive, and when asked 'did he go up there to die', responded 'no, he went up there to live'. I sort of get the point of the story, but could somebody clarify it for me?
Answer: It's basically about facing one's own mortality. Many humans feel that they 'feel the most alive' when facing (and overcoming) dangerous situations, the more challenging, the better. Roland is a big game hunter, to him, the ultimate challenge would be to hunt the biggest and (presumably) most dangerous predator ever to exist. Facing the danger of the T. Rex would make him feel better and mightier than he had ever felt in his life.
Question: What did Candyman mean when he told Helen it was always her? Why was he so interested in Helen?
Answer: When Helen goes back and sees the mural of his murder, the camera lingers on a woman in the picture that looks like her. This is the woman Candyman was in love with before he was killed. The implication is either she was reincarnated as Helen, or Helen reminded him of her, hence his interest in her.
Question: How did Carolyn get out of the cave and make it to the ship without being killed?
Answer: She had a jar of the light bugs that kept the creatures away.
Question: When Elliot Spenser is being transformed into Pinhead, who was cutting lines into his face and head and driving nails into him?
Answer: All we can see (in abstract closeup) is serpent-like tendrils cutting him and driving the pins into his head. As someone else said, it's likely another cenobite, although alternately it could also be the same "contraption" that turns Channard into a cenobite late in the film, given the tendrils are similar to the ones he sprouts.
Answer: Presumably another cenobite/cenobites. The choice not to show them makes for a better scene, as that moment is all about him, becoming the iconic Pinhead; the cenobites who made him that way are of no consequence to the story, and their own grotesque appearance would have distracted from his transformation.
Question: When Norman says the guy "that wrote that book he loves" (Shumway?) congratulated him on Spencer's Theorem, then Claire says "He didn't know your father was dead?" and Norman says "He knew". What does one thing have to do with the other? I've seen this movie at least 20 times and I can't figure out this conversation.
Chosen answer: Spencer's theorem was Norman's father's theorem. Norman wants to be greater than his father was, so to be accidentally complemented on something that his father did would be bad enough. To say that the guy knows that his father is dead is to imply that the guy probably insulted him intentionally.
Question: Reverend Lowe says that he's been killing people because of the sins they committed but why did he kill Brady? He never committed a sin.
Answer: Firstly, Reverend Lowe is deluding himself by saying he only kills people because of their sins. He is in fact wracked with guilt over his actions and has at least one vivid nightmare about this. Secondly, in the Christian faith all humans are considered sinners so this gives Reverend Lowe a justification for his beliefs. Anyone he kills would be a sinner in his eyes, including Brady.
I think the first part is more accurate. It really has nothing to do with the idea of original sin or everyone being a sinner since he states he only punishes the evil, corrupt, and immoral. He tells Marty he'd never hurt an innocent child. He just really has no control of his Wolf side and is lying to himself about why he kills.
Question: For the original, the sequel and the remake, what materials did the crew use to create the blob and how did they get it to move?
Answer: In both the the 50's original and 70s sequel, the majority of the Blob effects were created using a thick silicone gel colored with red vegetable dye; its movement was essentially controlled by gravity, just letting the goop run downhill and angling the camera to provide the illusion that it was moving horizontally, vertically, or straight at the audience. The original film also employed a large barrage balloon (or weather balloon) covered in the colored silicone goop for shots where people are actually consumed by the Blob. The 1972 sequel additionally used a preposterous rotating spit covered in red plastic, mounted in front of the camera, to provide the Blob's point-of-view as it steamrolled toward its victims. The 1988 remake used much more sophisticated practical effects such as robotics, latex prosthetics, pneumatic tentacles, et cetera, which were directly inspired by John Carpenter's 1982 special-effects-heavy horror flick, "The Thing." For the last couple of decades, there has also been talk of a major CGI reboot of "The Blob," but it has yet to materialize.
Chosen answer: Blind people use computers all the time. There are Braille monitors that interpret the visual images on the screen into Braille. They can also use speech synthesisers to convert the images into audible information.
Tailkinker ★