Question: I missed something. What was it that Clint Eastwood noticed that made him realize his friend was the killer?
Question: Was the doctor (the owner of the sailboat in the beginning) in on Laura's planned disappearance? Or was the bad weather just a coincidence and gave her the chance to escape? Just though it was weird because her husband commented that she only gets on a boat like once a year, so I don't know how she could have planned her escape so perfectly.
Chosen answer: No, the doctor was not in on her plan. She had her escape planned for a long time, but was waiting for the right time. The stormy weather on the boat provided the "perfect" time for her to put her plan into action.
Question: Is there a reason why when they're in the past they can't catch up with the present, but when they land a little into the future, the present can catch up with them? Are they not moving along on their own timeline? And if not, why are they not left in that moment and stand there to see the present come and go without taking them?
Answer: Think of time as a gear with only one tooth, and think of them as a gear with only one notch. In the past, the one tooth has forever passed their notch and they'll never be carried along in the flow of time again. In the future, the tooth comes along, snags their notch, and they're back in the flow of time.
Question: What did Doc mean when he said "It's not revenge he's after. It's the reckoning"?
Chosen answer: A reckoning is like a judgment day, exacting retribution for one's actions. Doc was very well educated and had a very large vocabulary. He was correctly pointing out the subtle difference between revenge (to make Wyatt feel better about losing Morgan and about Virgil's crippling injury) and the fact that Wyatt was bringing about a judgment day (or reckoning) for each of the men who hurt his family.
Answer: I've spent a lot of time thinking about this very question, and here's what I've come up with. I think there are at least two differences between revenge and a reckoning. First, I think it has to do with the scale of the response to an offending action. Revenge, in my mind, is an eye for an eye, i.e, "You killed my brother and wounded another, so I will inflict the same action on your family (or group, gang, whatever). " A reckoning is less a measured response to an offending action and more of a full-scale punishment, i.e, "You killed my brother and wounded another, so I will now slaughter your entire family-including those who were not directly responsible for the offending action." Second, I think there is also a difference in motivation. Revenge tends to be a very personal response to something, whereas a reckoning tends to be more of a response fueled by a need for justice. In Wyatt's case, it was both. He was enraged by what happened to his family, but was also a lawman.
Thank you for this response! I've only seen Tombstone a million times and asked the same question every time. It's hard to separate the difference between the two but I believe you nailed it. Well done.
I'm thinking the opposite in terms. Revenge is "Reflexive" and is generally any means necessary (out of an abundance of pain or rage) to hurt the other party. "Revenge is a dish best served cold." If one is exacting justice there's no need to be cold hearted. Therefore, Reckoning is (to me) a fair balancing of the "scales" hence "an eye for an eye." Not only consequences of actions as it were but a corrective action to an incorrect circumstance. Just my understanding.
The problem with that theory is there is no difference in the end because the end result was the same...the killing. True reckoning could have only been achieved though the apprehension and punishment by trial and jury, anything other than that is simply revenge.
Question: What was in the hat box in the garden?
Question: Julia Roberts refers to the term "snow blowing" and states that she heard it described in a movie. Is this really a reference to a movie?
Answer: You can see the reference in Kevin Smith's first movie Clerks. Whether or not she's referencing that particular movie or not is debatable.
Question: What does the Saxon who rallies the troops actually yell? He yells it twice: once, after Cerdic meets with Arthur in front of the wall and gives the order to "prepare the men for battle", and then a second time when Cerdic gives the signal after the only survivor of the first "wave" comes back through the wall. (And I don't mean his cry of "battle formation.").
Answer: I don't think it's supposed to be German. Probably Old Saxon. Could be something like "slahten fiand" - slaughter enemy.
Answer: He yells 'Schlachtet den feind!' (In very, very bad "German") - 'slaughter the enemy!'. And his army seems to yell: "Schlachtung! Schlachtung! Schlachtung..." - "Slaughter! Slaughter! Slaughter..."
Question: After going through the first storm they lose track of the incoming plane they set the barricade up for. The after a minute the plane lands and the pilot is brought in by stretcher. The commander looks at the young inexperienced pilot like something was wrong. Why did the director choose to do that? I think the pilot aged but they took it out of the movie for time or something else. Any ideas?
Answer: First, he had a look of concern for the young pilot under his command. Second, he is also confused as to what exactly happened. They believe it was a first strike weapon, that the world was ending.
Question: When Sloane was told her grandmother was dead, did she know it was a hoax? And did Rooney figure it out?
Answer: Sloane knew it was a hoax. Ferris would not have done something like that without her knowing. Rooney pretty much had figured it out, but could never prove anything. Once he was discovered inside the Bueller house (illegally) by Ferris' sister, anything he did know he would have to keep to himself.
Sloane starts to put her jacket on the moment that she sees the school nurse walk into the classroom, suggesting that Sloane already knew she would be called out, and she smiles to her classmates.
Question: In the flashback of Vito Corleone's return to Corleone, Sicily with his young family, his wife is shown holding a baby in a bonnet in several scenes. On the train he is talking to an older child and calling him Michael. Who is the baby?
Question: Every time Florence would perform before a live audience, people would respond by either laughing at her or booing at her. With these kinds of reactions, how could Florence not realise that it was because nobody liked her singing and that they considered her a terrible singer?
Answer: People believe what they want to believe and can have an uncanny ability to filter out anything negative or unwanted. Eventually, she realised the truth.
Question: I still don't understand why Leonard switches clothes with Jimmy and steals his car after he kills him. "I'd rather be mistaken for a dead guy than a killer." That makes absolutely no sense. Driving around in Jimmy's car and wearing his suit would make him the prime suspect in the investigation. He was much safer when he was just an anonymous guy driving around in a pickup truck.
Answer: It is never explicitly given. The most Leonard says on the subject is: "I'd rather be mistaken for a dead guy than a killer." Speculations include (you can make up your own motives as well) : (1) The clothes and car are so much nicer than his. If you are willing to kill someone: stealing is not really a "crime." Why not take the nicer objects? (2) It could be part of his "routine": Kill a man, take his clothes and car. The clothes he had on and the truck may be from the man he killed a year ago. (3) It could be that he wants to make the killer of his wife suffer even more, and takes his clothes as a way of humiliating him. Leonard takes the man's life-his clothes and car, which are wrapped up in his identity-just as the man took his. This idea seems to work with a theme in Memento about "Identity" (especially mistaken identity). Natalie thinks Leonard is Jimmy, then thinks he is Teddy, then learns he is Leonard. Teddy is "mistaken" for the second killer, Jimmy is "mistaken" for the 2nd killer. Sammy's story as a part of Leonard's story, etc. (4) It could "simply" be explained as a "plot device": Leonard has to do it, otherwise he won't find the note in "his pocket" and meet Natalie. (5) Leonard doesn't want to admit he's a murderer. He's lying to himself. If he's the victim, then he cannot be the murderer. (6) Leonard takes Jimmy's clothing as part of his routine of killing J.G.'s he becomes another person, he's the victim not the killer, thus "I'd rather be mistaken for a dead guy than a killer." and that's why he also takes his car, so he has to, once again, find his wife's killer and kill him.
Question: Why does Ray freak out when Charlie turns on the hot water in the bathtub?
Answer: When they were children, Ray witnessed Charlie being burned by hot bath water. I think Ray says something about how he was left to look after Charlie while Charlie was in the bath, and Charlie got burned by the hot water. That memory must be very strong for Ray, and not comprehending the passing of time, Ray did not want to see Charlie hurt again.
Question: Does anyone know the name of the song which is playing on the radio in the beginning of the movie, when Schindler is getting dressed for the party?
Answer: "Gloomy Sunday".
Question: In the scene where Cheyenne visits Jill at the McBain's residence for the first time, he asks her whether she knows something about a man with a harmonica, although the three of them (Cheyenne, Harmonica and Jill) met earlier in the movie when Cheyenne tells Harmonica to "watch those false notes." Why doesn't Cheyenne just ask her for the man whom she probably still remembers from this event?
Answer: The movie was filmed at multiple locations in Spain and Italy, and also in Utah. Chances are they filmed out of sequence and made minor changes to the script later in the movie. There are many things left unclear in the movie, for example the same scene at the cantina/store, just after Cheyenne's crew shows up, he refers to Harmonica by his name when no-one said his name up until that point.
Answer: He meant what does she know about him personally. What's his real name, where does he come from and why is he so interested in everything.
Then he should have asked "do you know something about THE man with THE harmonica?" instead of "do you know something about A man going around playing A harmonica?" (time stamp 01:05:25 for the restored version) or am I missing something? He already knows that she has seen him because he was there so he could just ask "do you know something about the guy with the harmonica we met at the bar earlier?" I just don't understand why Cheyenne is using an indefinite article because he and Jill both know who he is referring to.
Question: I realise that a lot of US schools look similar but would this be the same school used in Ferris Bueller's Day Off (by the same director)?
Chosen answer: According to the IMDB, the answer is yes. Both movies used the same two high school locations: Glenbrook North High School, Northbrook, Illinois; and Maine North High School, Des Plaines, Illinois. The director, John Hughes, directed both movies and decided to use the same school. He also uses the name Shermer for the name of the high school in Breakfast Club and for the name of the suburb in which the Bueller's live.
Question: We see Harold playing the guitar and singing in Anna's house. What is the name of the song which he is singing?
Chosen answer: It's called "Whole Wide World" by Wreckless Eric.
Question: How old is Edward?
Answer: It is never stated.
Answer: As the other response says, the number of years is never stated. Physically, I think he is supposed to look about twenty years old. Bill wants him to start a proper business. None of the adults seem to think that he should be in school.
Question: In the scene where Tommy believes he is being made, right after he walks into the room you hear him say "Oh no!" right before he is shot. Tommy obviously realizes that he was set up. However, what is it that he sees in the room that tips him off?
Answer: He was expecting a crowded room full of friends congratulating him. Also it was common knowledge among the mafia that being walked into an empty room when you were due to be made meant you were about to be executed, so Tommy likely knew he'd met his end just moments before the shot.
Answer: A man being 'made' is an event shrouded in ceremony. The top people in the family are there, among others to congratulate the new soldier. Tommy walked into an empty room.
Just as others have pointed out, the film implies Tommy realised something was wrong the moment he walked in and saw the place was empty...no other "made men" there for the ceremony. However, I always wondered why he hadn't caught on to what was happening when he saw there were only a couple vehicles parked out in the driveway.
Answer: Either the fact that the room was empty (being made is a big ceremonial event with many people) or he felt the gun pressed against the back of his head right before they shot him.
Answer: There should have been more people waiting for him.
Answer: Wasn't the floor covered with a plastic sheet? That would have given it away.
Or it was a floor with no carpet (tiled, I believe)...easier to mop up.
Question: Why didn't Peter retaliate against Bob for punching him and letting the town know what a jerk he is?
Answer: Two possible reasons. 1. Hitting him back and telling everybody about Bob being a complete jerk would make him no better then Bob. 2. Bob actually knew the real Luke and if Peter had hit him, Bob could retaliate by telling everybody the truth.
Chosen answer: When looking for clues to the identity of the killer, he comes across a code with the numbers, 903 472 568. He quickly realizes that Noone is the killer because in the code there is "No one".