The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: Poirot and Hastings are in front of the corpse at Marsdon Manor. When Miss Rawlinson makes her comment about him taking advice, she is almost with her back against Hastings and in a dramatic light totally different from what shown in establishing shot. (00:17:45)
The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: The morning after his arrival at the village, Poirot sits with Hastings for breakfast (prime minister Baldwin is mentioned on the radio). Hastings is holding the newspaper with his left hand and the right is on his knee. New shot and both hands are on the table. It keeps happening during the scene. (00:14:25)
The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: Poirot holds the widow's painting for Hasting and asks "You do not see?" In the reverse angle with Hastings (obviously) not seeing a thing, Poirot's hand in frame is holding the painting differently. (00:39:15)
The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: The car with Poirot and Hastings enters the village. Right as the camera begins to pan to the left, notice a woman with a maroon tailleur and a powder blue hat. She walks in the same direction of the car but turns around a moment later. Several seconds after, when we see the two protagonists in the car, the same woman can be seen amongst the passersby through the back window. (00:04:15)
The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: When Mr. "Clarrisa" Naughton produces the manuscript to the unsuspecting Poirot, the open side of the folder is to his own right, but it ends up on the concierge desk turned the opposite way. (00:05:15)
The Tragedy at Marsdon Manor - S3-E6
Continuity mistake: Poirot slams the newspaper on the breakfast table when Naughton asks him if the accomodation "was all right." But it is turned in opposite directions at every cut. (00:14:55)
