Starring: Lee Majors, Richard Anderson, Martin E. Brooks
Steve Austin, Fugitive - S2-E22
Continuity mistake: The background behind Hopper while he is in the man lift changes from shot to shot. In the close ups of him in the man lift's basket, there is a striped wooden wall, but the long shot of the man lift in the raised position shows an open wooden railing behind it.
Factual error: There is no physical way that Steve Austin could perform most of his superhuman feats of strength in the ABC television series, due to the fact that they simply replaced his arm and legs, but didn't rebuild or reinforce the rest of his skeleton and muscles to handle the physical loads. Interestingly, author Martin Caidin (creator of Steve Austin in his novel, "Cyborg") actually did describe an incredibly complex whole-body rebuild that included vertebral reinforcement and ribcage and pelvis replacement, which was far more scientifically-accurate than the subsequent ABC television interpretation. ABC only accepted the series on the condition that it was less technical for their audience.
Trivia: Longtime TV actor Lee Majors was extremely influential in the overall development of the "Six Million Dollar Man" series. Although he had already appeared in the 3 successful made-for-TV pilot movies in 1973, Majors was very skeptical of entering into a weekly series, and he wanted a guarantee that the show would not devolve into a campy superhero series (like "Batman"). Majors further stipulated that there should be no blood and no violent death on the show. Executive producer Harve Bennett, producer Kenneth Johnson, and ABC Television immediately agreed. Majors also thought the original "Six Million Dollar Man" theme song (sung by Dusty Springfield) was embarrassingly bad, so composer Oliver Nelson wrote the iconic instrumental theme for the series. Two years into the hit show, Majors then became concerned that his character, Steve Austin, would be perceived as gay because he never had an onscreen love interest; so Majors essentially demanded that a female character be added to fill that role. The producers complied without question. According to Lee Majors: "People were really getting to the point where it was like, 'When's this guy [Steve Austin] going to come out of the closet here?' That's when we brought in Lindsay Wagner to be the first love interest."
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