The Andy Griffith Show
The Andy Griffith Show mistake picture

Man in the Middle - S5-E7

Continuity mistake: When Barney, Thelma Lou, and Andy are driving to Andy's blind date they're all in the squad car. When they're parked in front of Helen's house in the closeup shots the light mounted on the roof has vanished, the glass windshield's gone, the car's interior differs, etc., and then it changes back. The roof is black, then white, as well.

Super Grover

The Andy Griffith Show mistake picture

Goodbye Sheriff Taylor - S5-E10

Continuity mistake: While Barney's trying to instruct the new deputy candidates, when he throws a tomato to Otis it splatters on his shirt, and a few things keep changing depending on the angle of the shot - the amount of tomato goo increases/changes position; the suspender's sliding adjuster changes height; the deputy badge changes position.

Super Grover

The Andy Griffith Show mistake picture

The Pageant - S5-E11

Continuity mistake: While Andy and Opie are sitting on the couch, Andy's on the phone talking about having to tell Aunt Bee to drop out of the play, and there are two candlesticks with candles on the server behind Andy, but in Andy's closeups they're gone.

Super Grover

TV or Not TV - S5-E23

Continuity mistake: In the exterior shots of the bank's doors there are rectangular door knob backplates on the outside of the door, but in the interior shots when the door's open we can see the door knob's backplate is narrower and has a decorative top.

Super Grover

TV or Not TV - S5-E23

Continuity mistake: When Barney's outside the bank loading his gun with the bullet, there are window blinds on the inside of the doors' windows - nothing else, but when Barney's inside the bank there are white shades between the glass panes and the blinds. As for the bank's large side window the opposite happens - there's a white shade between the pane of glass and blinds in the exterior shot, but in the interior shots we can see through the blinds' slats and there's no shade.

Super Grover

The Andy Griffith Show mistake picture

The Arrest of the Fun Girls - S5-E28

Continuity mistake: When Helen and Thelma Lou walk into the courthouse and find Andy and Barney dancing with Daphne and Skippy, there are lipstick marks on Barney's cheek, but when Andy gives Skippy her sweater and radio then tells them both to go, in the closeups the lipstick marks are gone, though they reappear momentarily.

Super Grover

Opie's Job - S6-E1

Continuity mistake: When Aunt Bee walks by Floyd's shop the barber's pole is missing, but when Opie and Billy run across the street there's a red/white striped barber's pole, then when Andy walks by Floyd's shop the barber's pole has red/white/blue stripes.

Super Grover

Opie's Job - S6-E1

Continuity mistake: We see the exterior of the grocery/meat store a few times during this episode, and there are differences in things such as the actual facade of the building, the view through the doorway, etc.

Super Grover

Opie's Job - S6-E1

Continuity mistake: When Opie and Billy are both heading to the grocery store to apply for the job, the church is behind the boys and they're standing in front of the 'new and used furniture' store - both of which are to the right of the courthouse (when facing the courthouse), and to the left of the courthouse are the barbershop and the grocery/meat store.When the boys run across the street, they're coming from the opposite direction.

Super Grover

The Andy Griffith Show mistake picture

The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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