Starring: Frank Welker, Don Messick, Casey Kasem, Nicole Jaffe
Jeepers It's the Creeper - S2-E3
Other mistake: There is a scene where the gang is the home of the Bank President, just after dropping off the injured bank guard. At one point the Bank President is standing behind an end table of some kind with a lamp on it. Even though there is nothing underneath the table to block your view you cannot see the lower part of the Bank President's leg. It looks like it has been cut off.
Continuity mistake: Scooby finds a clump of ape hair stuck in the wine cask. It cuts to the gang, then back to the cask as they walk up and suddenly the clump of hair is twice as thick. (00:16:45)
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Answer: During most episodes of "Scooby Doo, Where Are You?," the gang often split up to explore the latest haunted mansion or abandoned windmill or deserted amusement park. Scooby and Shaggy would generally end up together, Velma would often go off alone, and Daphne would frequently go exploring with Fred. It seemed to be a running theme in the "Scooby Doo" cartoons that Daphne was perpetually flirting with Fred. Fred, however, always seemed much more obliviously preoccupied with finding the next clue, foiling Daphne's amorous intentions. I have always been under the impression that the Scooby-Doo gang was a pretty sexually ambiguous group. More than a few people have suggested that athletic, well-coiffed, ascot-wearing Fred, and bookish Velma were early archetypes of gay/lesbian teens. The show existed in a time when several cartoons suggested sexual ambiguity in its characters: Effete Snagglepuss, a repeatedly drag-wearing Bugs Bunny (who even appeared in TV's first same-sex wedding with phallic rifle-toting Elmer Fudd), prim and polite gophers Mac and Tosh, Peppermint Patty, Marcie, Schroeder and Linus from the "Peanuts" cartoons. But whether or not any then subversive homosexual undertones were ever intended in any of the characters, the oft-paired Daphne and Fred never seemed able to get their relationship beyond the lukewarm stage, much to Daphne's apparent chagrin.
Michael Albert