Continuity mistake: When Mike accuses Jerry of murder at Susie's wake, watch the people behind and around Jerry. There are women either side of Peggy, turning around, looking surprised and moving their hands. The next shot, we see Jerry from behind his seat, and everyone has instantly changed to sitting perfectly still, looking ahead with their hands still.
The Jacket - S2-E3
Continuity mistake: When Elaine's dad says "Pipe down, chorus boy" to George, suddenly a hotel staffer in red appears in the recess by the lamp. In another blatant continuity mistake, in the shot that follows George is suddenly without glasses. (00:17:50)
The Gymnast - S6-E6
Continuity mistake: When George is at his girlfriend's mother's house, the plates on the table switch around. Then the order he stacks them changes. When he picks them up, the plate with the chicken is in the middle with a plate with a napkin on top, then in the kitchen, the plate with the chicken is on top.
The Slicer - S9-E7
Continuity mistake: At the end of the episode, after George has successfully airbrushed himself out of Kruger's picture and reinserted an authentic picture of Kruger, Kruger picks up the picture and explains to George why he doesn't think the mole Kramer discovered in Kruger's cancer screening is anything to worry about. After George says "Whatever" and just before Kruger begins explaining the story behind the picture to George, he tilts the picture towards the camera and if you look closely you can see that George is still in the picture. (00:11:00 - 00:22:20)
Continuity mistake: Jerry and George are at the pharmacy. As George pays the bill and is heading out, behind Jerry there's an old lady at the counter. The camera changes and the same lady disappears and you can see her in other side of the store heading again to the counter. (00:02:25)
Continuity mistake: In the first scene (approximately 3 minutes in) where Jerry points out the red-headed woman in The Parking Garage to George, she is leaving her vehicle in a section of the garage that is labeled 14 with a green background. However, later (approximately 23 minutes in) she is shown returning to her car in section 14, but the color is now yellow.
Continuity mistake: The inside and the outside of the Costanzas' home do not match up. From the inside, you can see that if you walk in the front door the kitchen would be on your left and a sitting room-type area is on your right (accessible from the living room). However, from the outside, it shows bay windows on what would be the left (kitchen) side and a door to another townhouse on the right (sitting room) side.
The Statue - S2-E6
Continuity mistake: Near the end of the episode, Kramer acts like a cop to get back The Statue. The door is almost completely closed. Just before he leaves, the door is suddenly open about one foot, even though it hasn't been touched yet.
Continuity mistake: At the beginning of the episode, the bag on the counter keeps moving and disappearing, and reappearing.
Continuity mistake: Donna's purse strap changes position on The Couch throughout the scene, when she's there when George brings up her liking the commercial.
The Suicide - S3-E15
Continuity mistake: When George and Elaine are at the psychic, Elaine is saying she doesn't know how the psychic can put a cigarette in her mouth. At this point the psychic has the cigarette in her mouth and her hands are clasped. In the next shot, the cigarette is now in her hand.
Continuity mistake: When George goes into the suit shop after being told about the sale, he sees another man trying on the suit. George tells the man the sale is on Monday and the man takes off the suit coat and George is holding it in his hands when the saleswoman says the sale is on Friday. In the next shot, she has the coat and is hanging it despite never taking it from George.
The Implant - S4-E19
Continuity mistake: After George puts a couple of the snacks in his mouth, he takes a bite of the next one before Father Jessup says George is great comfort. In the next shot, the snack George is whole and no longer has a bite taken out of it.
Continuity mistake: When Jerry opens the magazine to the article about him before handing it to George, the left side is mostly black with a picture and the right side is half black with "now" in big yellow letters. In the next shot of him handing the magazine to George, the page seen is mostly white with fine print and a small picture. In the next shots of George reading it, the magazine is back to where Jerry had opened it up to the first time.
The Glasses - S5-E3
Continuity mistake: When George bites into the onion, you can see the top of the onion is facing up or towards the camera, next to his finger. In the next shot, you can tell the onion has rotated position. You can see the root is to the side, so the top would be on the side instead of up.
Continuity mistake: After crazed Jerry and Elaine leave to get a hat, Kramer picks up the tub of ice cream Jerry had set down and starts to put the lid on. In the next shot, he's not holding the ice cream.
Continuity mistake: In one scene George's desk is placed with room to walk all around. When Steinbrenner walks into George's office, the desk is pressed against the wall and office looks smaller. (00:18:54)
The Trip (1) - S4-E1
Continuity mistake: While discussing Candice Bergen with Jerry, George picks up a menu and places it on the table; both he and Jerry have a menu. In the next shot showing the table (when George says, "I can't believe I missed Kramer,") both menus are flipped: in the first shot, white pages are facing up, and a yellow page is on the back of George's menu as he picks it up; in the second, the yellow sides are facing up. (00:01:02)
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73