Episode #4.8 - S4-E8
Continuity mistake: Humphrey knocks over the flower pot. Florence reacts in one shot from behind raising her arm, but the arm is down again in the instant reverse. (00:00:50)
Episode #4.8 - S4-E8
Continuity mistake: Everyone is in the cell examining the corpse. The prison guard nods when Dwayne says that they did a complete sweep of the courthouse; his arms are folded. Next shot, his arms are down his sides, and only a second later he folds them. (00:04:55)
Episode #4.8 - S4-E8
Continuity mistake: Goodman and Cassell are doing the whiteboard routine; when Humphrey asks about the 'refreshments', his marker is uncapped, while it has the lid in the shot before and after. (00:13:05)
Episode #4.8 - S4-E8
Continuity mistake: Inside Erol Dumas' kitchen, Florence holds the envelope with the money putting her fingers on the empty glove. During a quick cut on Humph though she suddenly wears the glove for the ending of the scene. (00:19:05)
Episode #4.8 - S4-E8
Continuity mistake: After the chat with the Commissioner, Humphrey gets infodumped on by his team. Dwayne passes him the insurance documents, then JP speaks about the personal effects of the deceased, just as Goodman split the papers given by Dwayne one per hand. Reverse shot and they are back one stacked on top of the other. Back to the previous angle, and they are divided again. And so on. (00:25:10)
Episode #4.8 - S4-E8
Continuity mistake: Dinner with the father, part 2. Humphrey is having trouble speaking, and his dad asks "Are you like this at work?" During that shot you can partially see that Mr. Martin Goodman QC is holding the glass of wine, while he's holding a fork in the previous and following. (00:29:25)
Episode #4.8 - S4-E8
Continuity mistake: When Humphrey is done with the murderer, he walks back to the stand, with Florence fawning over his performance. In the longshot Commissioner Selwyn Patterson 's arm is in the shadow, in the closer angle the shadow goes to half his pec too. (00:47:30)
Answer: There's probably no particular reason. Sets and props on long-running TV shows often change as needed and for various reasons throughout a series run.
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