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Stupidity: A movie always needs extra conflict, but Julie's reasoning for walking out on Marcus and Mike is one of the dumbest. "If his wife can find us, I'm a LOT better off on my own." What sort of logic is that? She's the wife of his best friend. Of course she knows where he lives. (01:32:45)

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Continuity mistake: When Jojo is complaining about the guard dogs being lazy and overfed, the bracelet on his wrist turns between cuts. (01:24:20)

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Continuity mistake: Marcus falls on a big pile of trash after he unsuccessfully tried to infiltrate his own home. The garbage bins fall with their lids facing outwards, towards the street. Mike and Theresa lean from the window, and an overhead shot of the garbage mess is shown. By any basic rule of cinematography and film logic, that is their POV, what they see. However, they "see" the trash cans facing towards them, towards the house. (01:21:25)

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Continuity mistake: When Martin Lawrence is in bed with Tea Leoni and a dog and brings up the disturbing image of him "coming with thunder," she suddenly has her hands on her own chest in contrast with the previous shot. (01:17:40)

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Continuity mistake: During the argument with the crazy and possibly murderous shopkeeper, there's a cut to Julie saying he's got "a cannon." He then shouts, "What do you want?" pointing said cannon towards where Martin Lawrence would be, but then in the reverse shot, it's pointed at Will Smith. Also, when they get him by surprise, their guns are in frame coming from the side, but they were standing in front of him in the rest of the scene. (01:16:00)

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Revealing mistake: During the fight between Marcus and Casper, the fishtank breaks with the slightest tap of Martin Lawrence's foot, if any. (01:07:50)

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Continuity mistake: At Club Hell, Marcus is fighting with the flashily dressed bandit, Casper. Meanwhile, sharing screen time with Will Smith, a foot with red varnish on the toes. Cut to Martin Lawrence getting choked, and back to Will Smith. The foot now has no painted toenails. One could assume that since it's off-screen, more than a stripper was on stage. Mike is looking to his left both times though, and the girl that we don't see is lying down. Two performers would have to be crawling on top of each other. (01:07:40)

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Continuity mistake: During the fight scene inside the bathroom of Club Hell, the biker dude throws Marcus against the second-to-last mirror, breaking it. He then does it again... again against the second-to-last mirror. That is back whole, shattering it again. A huge chunk of it, practically the whole right half of it, comes off. But in the next shot, there's a small hole only, same when you see it in the background later. The closer look at the mirror that breaks much more probably is supposed to be the one that Marcus breaks off-camera with the cabinet. (01:07:10)

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Other mistake: In the scene at the police department when Mike ends up pranking Marcus by pretending to flirt with his wife on the phone, the janitor keeps mopping the same small corner of the office for two minutes straight of screen time, and the same cops can be seen doing the same movements at least twice (for instance, one wearing a denim shirt and white tank top and one with a pink shirt). (00:56:40)

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Other mistake: Marcus and Julie identify the correct suspect; it's one Noah Trafficante (his last name literally means 'smuggler', so you know he's up to no good). The profile says, "WANTED. Reward; £18,000 Reward Armed and Dangerous." Barely a minute later in the movie, in a scene at the police station, Mike asks for his parole jacket and Francine tells them he works at Club Hell. (00:56:10 - 00:57:40)

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Continuity mistake: Marcus is showing mugshots to Julie on the computer. He gets on the mugshot of a "Trafficante, Noah," which turns out to be the right guy. He already hit "next," though, and the picture of a "Catrini, Robert" starts appearing. Julie tells him, "Go back, go back." Marcus is already on the profile of a "Leachman, Todd," but a single click brings him back to Trafficante. Catrini disappeared. Funnily enough, in a later flashback (when Julie, at home, holds a gun apparently for the first time and decides to go to Club Hell and see if she can single-handedly take on the Mob) the pictures are in the right order; Catrini came back. (00:55:55)

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Continuity mistake: Running suspect pictures, Tea Leoni tells Marcus that he's eating "flesh." Martin Lawrence's fingers change position on the sandwich between shots almost constantly throughout the scene. (00:54:25)

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Continuity mistake: Inside Mike's apartment, Julie asks Fake Mike who is the guy in all those pictures. In close-up, you can see some frames have been readjusted to look better; look at the ornate silver frame next to the picture of Mike with a basketball. The two frames were a couple of inches apart; now they are closer. (00:53:25)

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Continuity mistake: On the basketball court, Mike shows off nailing a three-pointer on his first try when the captain couldn't land any. When he looks at Will Smith's ball flying over him and into the basket, the captain has a cigar in his mouth, but Joe Pantoliano in the reaction shot that follows has none. (00:50:45)

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Continuity mistake: Marcus ends the phone call with Julie, saying, "Mike to the rescue." He suddenly has his left hand on the microphone. (00:35:00)

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Continuity mistake: There's a rubber flower (a toy sunflower with sunglasses) on Mike's desk. When Captain Howard answers the phone, it goes from fully straight and vertical to hunched over as the shot changes. Throughout the whole duration of the scene, the flower is straight in the wider shots with Pantoliano standing by the desk, and 'wilted' when the framing is focused on Martin Lawrence. (00:33:20)

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Visible crew/equipment: When Will Smith breaks through a window when the bad guy lurking at the madam's place throws him into it, in the second shot of the stunt (the one with the camera at ground level), the camera wobbles, hit by the debris right before it cuts to the side view. (00:33:05)

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Continuity mistake: Inside the Al Capone suit, Captain Howard asks the Bad Boys who the guy on the chair is. "Eddie Dominguez," says one. The captain is chewing gum, arms down at his side. In what's supposed to be an immediate follow-up, Martin Lawrence adds, "Yeah, the ex-cop." Joe Pantoliano in the foreground is taking a puff from a cigar instead. (00:29:05)

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Audio problem: When Noah and Casper follow Julia on the roof and then narrate to the audience her amazing off-screen escape out of their range of sight and fire, Casper says two lines ("I can't believe she made it!" and "Jesus!") without even moving his lips. (00:28:55)

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Continuity mistake: When Martin Lawrence is under the desk with the rotting corpse on top, on the couch behind him there is a document with a slight pink hue. The document is straight throughout the scene, except for the shot when Lawrence gets up, when it's tilted. (00:20:10)

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