Jean G

Man in a Chariot - S2-E1

Visible crew/equipment: As Kimble gets into Gould's VW, the car door captures a fleeting but clear reflection of the film crew. (00:29:30)

Jean G

The Waverly Ring Affair - S2-E19

Visible crew/equipment: When Solo enters the scanning room, the shadow of the boom assembly sweeps down the wall on the right side of the door. (00:07:40)

Jean G

The Phantom Strikes - S2-E17

Visible crew/equipment: When Nelson says, "Let's get out of here," the shadow of the entire camera rig moves by on the side of the navigation console. (00:07:45)

Jean G

The Yo-Ho-Ho and a Bottle of Rum Affair - S3-E19

Visible crew/equipment: During the fight aboard the plane, Solo's stunt double's face is fully visible several times. (00:43:30)

Jean G

The THRUSH Roulette Affair - S4-E7

Visible crew/equipment: When Solo and Coleman call Monica from the hotel, the shadow of the entire boom mike assembly is bobbing up and down on the wall above and behind them. (00:25:10)

Jean G

The Birds and the Bees Affair - S2-E18

Visible crew/equipment: The shadow of someone who's not in the shot intrudes on the right side of the screen as Solo exits the communications room and enters the corridor. (00:02:15)

Jean G

The Hula Doll Affair - S3-E22

Visible crew/equipment: When Solo gets out of the cab in front of Thrush HQ, the taxi's windows catch a perfect reflection of the camera and a studio light as the driver pulls away. (00:14:50)

Jean G

The Deadly Goddess Affair - S2-E17

Visible crew/equipment: When Hubris and his henchmen leave Narouz's bistro, the boom shadow is lurking on the block wall at the lower right. (00:20:45)

Jean G

The Very Important Zombie Affair - S2-E15

Visible crew/equipment: Captain Ramirez's car has a flat on a dirt road in the middle of the jungle. But on his car door, there's a clear reflection of a big square studio reflector and four klieg lights. (00:23:00)

Jean G

The Dippy Blonde Affair - S2-E16

Visible crew/equipment: While Solo is reading Jojo's arrest record to her, the shadow of a film crew member's hand moves on the wall at the lower left of the screen. (00:14:15)

Jean G

The Very Important Zombie Affair - S2-E15

Visible crew/equipment: When Solo and Illya move across the room to answer the door, the shadow of the boom can be seen moving in the mirror on the left. (00:13:05)

Jean G

Headhunter - S4-E6

Visible crew/equipment: When Avon is questioning Muller's wife at Xenon Base, an equipment shadow moves across the top of his head. (00:03:25)

Jean G

Headhunter - S4-E6

Visible crew/equipment: Someone with a mustache moves briefly into the shot behind Avon when he's questioning the android about its plan to unite with Orac. (00:35:45)

Jean G

Take the Celestra - S1-E23

Visible crew/equipment: At the end, when Apollo leaps over the console to tackle Chakra, the stunt double's face is visible. (00:41:00)

Jean G

The Batcave Affair - S2-E28

Visible crew/equipment: When Zark uncovers the caged bat and shows it to Illya, the shadow of the boom mike sweeps across the back wall. (00:33:30)

Jean G

Traitor - S4-E3

Visible crew/equipment: When the crew are discussing Helotrix, big yellow power cables (probably used to light up Scorpio's main flight console) are showing at the right of the screen. (00:09:20)

Jean G

The Bridge of Lions Affair (2) - S2-E21

Visible crew/equipment: During his fistfight with the burly body guard outside Sir Norman's estate, Illya's stunt double's face is visible in profile. (00:40:15)

Jean G

Terminal - S3-E13

Visible crew/equipment: As Servalan begins explaining her nefarious plan to the captured Avon, an equipment shadow slides across the blue diamond-shaped pane just behind her. (00:40:30)

Jean G

The Moonglow Affair - S2-E23

Visible crew/equipment: During Arthur's argument with his sister over the guest list, the boom shadow moves across the wall at the upper left of the screen. (00:13:45)

Jean G

The Living Legend (1) - S1-E12

Visible crew/equipment: Near the end of Part 1, when Lucifer reports to Baltar that they've located the scout vessels, there's a fuzzy reflection on the back wall of some sort of equipment moving upward and to the left. Nothing in the scene itself is moving that way.

Jean G