Continuity mistake: In "The Ultimate Cut" version of the film (and perhaps the original), Laurie and Dan have a discussion in a restaurant about the attack on Ozymandias. Outside, across the street we see people milling about. As the camera cuts between shots of both characters at the table, then close ups of Spectre, then of Night Owl, and back again, the positions of these people vary randomly, including a seated girl that appears instantly out of nowhere, then a man in a brown jacket walks over to join her, but instantly is seated next to her, then he's seen approaching and sitting down with her. (Timecode is for The Ultimate Cut). (01:41:10)
johnrosa
19th Nov 2009
Watchmen (2009)
18th Nov 2009
Watchmen (2009)
Continuity mistake: When Kovacs is being interviewed before being given the Rorshach test, a pill bottle is shown on the table in front of him. The front label of the bottle faces Kovacs when first seen, but a moment later, with nobody touching it, the bottle has turned 90-degrees so that the label faces left of Kovacs, toward the camera. (Timecode is for The Ultimate Cut). (01:50:50)
18th Nov 2009
Watchmen (2009)
Trivia: When Dan and Hollis hear a TV news report referencing Rorschach, they glance at the screen in time to see grainy black and white 'file footage' of Rorschach walking quickly away and to the right of the camera position, glancing back over his right shoulder momentarily. That footage is intentionally designed to precisely mimic the infamously-disputed film of Bigfoot (known as the Patterson-Gimlin film of 1967). (00:17:50)
8th Mar 2009
Watchmen (2009)
7th Mar 2009
Watchmen (2009)
Revealing mistake: When Dr. Mahattan and Silk Spectre are on Mars and they are climbing upward in his gyrating clockwork structure, a shot from well above, behind and to the right of them contains some terrible CGI work of Silk Spectre walking in a completely unnatural, very mechanical way.
7th Mar 2009
Watchmen (2009)
Continuity mistake: During the prison fight scene, Silk Spectre's stiletto boot heels are alternatively flat-soled from shot to shot, for the stunt woman's benefit.
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