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Visible crew/equipment: In the helicopter after Colonel Kilgore talks to Lance he says, "My boys love it" and you can see the silhouette of the crouching cameraman in his sunglasses. (00:36:50)

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Visible crew/equipment: Captain Willard is on the right side of his bed dancing and he sticks his right fist towards the camera. Watch the bedspread closely as he pulls his fist back and you can see the shadow of the camera moving on the bedspread. (00:06:50)

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Visible crew/equipment: As the Captain takes the binoculars from the chief and first holds them up to look at the shoreline and Colonel Kilgore you can see the reflection of a crew member in the binoculars' lenses. (00:24:35)

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Visible crew/equipment: If you keep your eyes on the right side of the screen before Colonel Kilgore gives the injured VC soldier a drink you can see a crew member's hand holding a light meter pass quickly in and out of the shot. (00:29:20)

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Visible crew/equipment: The boom mike, camera and lights can be seen in Lieutenant Kilgore's sunglasses as he gets out of his helicopter. (00:27:05)

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Visible crew/equipment: At dinner as Harrison Ford says, "Now he's crossed into Cambodia…" you can see the cameraman's reflection moving in the background to the left of his head. (00:15:20)

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Visible crew/equipment: As Melanie walks into the living room a moving shadow appears where it shouldn't be, to the left of the fireplace next to the clock. (00:22:20)

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Visible crew/equipment: During the final bird attack Lydia and Kathy stand in the kitchen door and the shadow of a crew member in the kitchen can be seen moving on the wall behind them. (01:41:20)

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Visible crew/equipment: Just after Lydia says, "they are birds aren't they " we see Melanie and Cathy and the shadow of the cameraman moving on the chair at the far left of the screen. (01:37:25)

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Visible crew/equipment: As Melanie drives up to have dinner at Mitch's, the reflection of the cameraman on the inside of the window can be seen moving in the upper-left hand portion of the screen. (00:32:10)

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Visible crew/equipment: As it sits on the table you can see the reflection of a crew member moving in the coffee pot at the center of the screen when Cathy asks Mitch why the birds are attacking. (01:38:20)

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Visible crew/equipment: As Melanie walks into the living room to find a place to put the bird cage down the shadow of the camera appears on her coat. (00:22:20)

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Visible crew/equipment: You can see a flash as the boom mike operator hits the light above the front door when Mitch runs back with the hammer and nails. (01:43:45)

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Visible crew/equipment: As they head for the restaurant, a crew member's reflection can be seen on the far left of the screen moving in the lower green section of the phone booth just as Mitch's shadow passes the phone booth. (00:26:25)

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Visible crew/equipment: As Mitch watches Melanie with his binoculars he looks directly into the opening of the camera lens. You can see its dark reflection on the right lens of his binoculars. The next time we see them the reflection is gone and both lenses look the same. (00:24:20)

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Visible crew/equipment: When Melanie asks Annie if she can use her phone the reflection of a crew member behind her can be seen moving in the window of the house across the street. (00:31:55)

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Visible crew/equipment: When Melanie pulls up to the school to check on Cathy we hear voices of the children singing inside and a crew member's reflection is seen moving in the car door as she opens it. (01:08:30)

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Visible crew/equipment: As Mitch admires the lovebirds, before he walks out of the kitchen, you can see the shadow of the camera on the cabinet on the far left as it zooms in. (01:38:00)

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Visible crew/equipment: In the close-up of the orange car there's a perfect shot of the cameraman in the bumper as the gas hits the tire. (01:25:10)

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Visible crew/equipment: When Melanie walks out the door carrying the tray with the tea pot on it you can see a reflection of the stage lighting for the entire shot. (01:07:50)

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