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Shell Shock: Part I - S10-E6

Continuity mistake: Gibbs places a stack of photos down on the picture of the captain when speaking to him. When the shot changes, the stack of photos has moved off the photo of the captain. (00:07:00)

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Devil's Trifecta - S10-E9

Continuity mistake: When Agent Sterling shows DiNozzo her badge, the way she holds it changes between shots. (00:11:40)

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Devil's Trifecta - S10-E9

Continuity mistake: When McGee tells Sterling, the joke is over. Sterling's hands and the items in the changes from the rear and front camera angles. (00:32:30)

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Devil's Trifecta - S10-E9

Continuity mistake: When we see the pool balls on the table for the 1st time, their position changes drastically between shots. (00:03:20)

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Gone - S10-E8

Continuity mistake: At the end, Rosie has her hands taped behind her back as she is running up to her parents. When she gets to her parents, her arms are no longer taped behind her back. (00:36:20)

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Shell Shock Part II - S10-E7

Continuity mistake: Ziva tells Tony to stop being nice to her when doing the stakeout. When she does, in one shot her arm is on the car window, in the next shot it's not, then it's back again. (00:29:20)

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Gone - S10-E8

Continuity mistake: When Tony is dancing and singing at the start, his position is constantly changing between all the consecutive shots. (00:03:20)

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Shell Shock Part II - S10-E7

Continuity mistake: At the very start, the way the soldier is holding up the car changes between shots. In some shots, he is holding bottom left, in others, he is holding bottom right. (00:01:10)

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Shell Shock: Part I - S10-E6

Continuity mistake: When DiNozzo is talking about the pictures on the film, he has the film in his hand. But as McGee speaks, Tony has his hand held out and open. (00:02:50)

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Shell Shock: Part I - S10-E6

Continuity mistake: At the start, DiNozzo is holding up his 1974 camera. When the shot changes, the way it's held changes. Take note of his finger in relation to the lens of the camera. (00:02:30)

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Namesake - S10-E5

Visible crew/equipment: When Gibbs meets up with LJ for the first time, a white tape marker is visible where LJ was stood. (00:21:50)

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Namesake - S10-E5

Continuity mistake: The way Gibbs throws the photo of the murder weapon on the table changes between shots. In the first shot the paper is portrait and in the second it's landscape. (00:08:30)

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Namesake - S10-E5

Continuity mistake: When Ziva sits down to talk to the suspect in interrogation, Her hands go from clasped together to holding her one wrist between shots. (00:08:30)

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Lost at Sea - S10-E4

Continuity mistake: When Gibbs pulls the empty bottles out of the evidence box, he pulls three out and places them on the desk. However, when the camera changes to behind Gibbs, there are only two bottles on the desk. (00:24:10)

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Lost at Sea - S10-E4

Continuity mistake: When DiNozzo says about the bet being off, his facial expression changes completely in an instant cut. He goes from concentrating and serious to joking and laughing. (00:27:30)

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Lost at Sea - S10-E4

Continuity mistake: When Borin and Dinozzo are talking about why she accepted the date, Borin's hair is constantly switching/moving place. This is not because of the wind. (00:27:00)

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Lost at Sea - S10-E4

Continuity mistake: The way Gibbs holds the key card that Ducky gives him changes between shots. Watch the sides of the card. (00:09:30)

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Phoenix - S10-E3

Continuity mistake: When Gibbs visits Abbie's lab to ask about the smoke detector and computer, he finds the CPU disassembled on her table. The "hard drive" is placed on a white tray in front of the cover, which has been removed from the CPU. Initially, the hard drive is white in color. However, in the close-up shot, it turns black and looks like a different piece altogether. Furthermore, the white tray disappears, and the hard drive sits on the CPU cover. In the wide-shot, the white tray reappears, and the hard drive is again white as it was originally. (00:24:50)

Spiritfire

Phoenix - S10-E3

Continuity mistake: When Gibbs walks in to see Abby telling the carbon monoxide alarm off, she has her right hand raised in one shot and holding the alarm in the next. (00:23:00)

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Phoenix - S10-E3

Visible crew/equipment: When Tony approaches the woman on the shooting-range, a white rectangular screen can be seen reflected in the glasses she is wearing. (00:22:10)

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