Randy DeShong

Continuity mistake: Kathleen Riley and Carl Anderson are in a room with a blackboard. As they write questions and answers on the board, the writing changes several times between shots.

Randy DeShong

Continuity mistake: When Chucky is in the barber's chair,in the close up, the hair on his forehead changes between shots. There is a wisp of hair in several shots and it is combed back in another.

Randy DeShong

Continuity mistake: At the beginning when Jor-El and the council pass judgement on the three criminals and the huge white dome starts to open, it stops about a third of the way. Long shot of the three criminals, it's completely open. Next shot it's back to a third of the way open.

Randy DeShong

Continuity mistake: When Jean and Lenny return from the "Styx" concert,she gets out of the car holding her shoes. Lenny says, "I'll take those", and Jean hands him the shoes. Next shot shows them walking toward house and she is carrying the shoes. They stop and he kisses her and then starts to leave, she stops him by saying I need my shoes. She should already have them since we just saw her walking up the walkway with them in her hand.

Randy DeShong

Continuity mistake: When Jean is suppose to meet "Ben" under the Brooklyn Bridge she has a shawl on. Holly meets her to tell her he's not coming. Jean's shawl, in a number of different shots goes from on to off her shoulders several times.

Randy DeShong

Pro Se - S6-E13

Continuity mistake: During the pre-trial hearing between Frutt and Lowe, Frutt's hair alternates between being back off her shoulders to down over her left/right side. She at no time uses her hands to move the hair.

Randy DeShong

The Touching Game - S5-E19

Continuity mistake: Jamie and Paul are at the supermarket, and Jamie is eating chips. She leans on a coin operated horse. The bag of chips in her right hand changes from front (Green Label, "Baked Lays") to back view in one shot then to front view again.

Randy DeShong

Continuity mistake: When Hugh Grant first goes underground and is interrogated by the "Mole" people, his arms are held behind his back and the hair on his forehead changes between shots. His hair appears combed back in several shots and some wisps hanging down in others. They alternate back and forth between shots.

Randy DeShong

Continuity mistake: Spoiler: At the end of the film, Faye Dunaway shoots Tommy Lee Jones. He falls to the floor dead. The positions of his coat and tie change between shots.

Randy DeShong

Episode 3 - S1-E3

Continuity mistake: After Danny and Burt fight in the kitchen, Mary tells them to clean it up. When Burt puts a dish towel over his right shoulder, the dish towel disappears and reappears between shots.

Randy DeShong

Episode 3 - S1-E3

Continuity mistake: When Burt and Danny are fighting in the kitchen, they hit a pot holder on the fridge, which begins swinging. Mary enters and the pot holder stops swinging suddenly, in her close up.

Randy DeShong

Continuity mistake: In the beginning, the cocaine dealer goes to a ghost town and is attacked by zombies. As he is running, his denim jacket goes from being partly pulled off, to completely off, to back on, to partly off, in about 5 shots. Very noticeable because he is wearing a white tank top.

Randy DeShong

Deliberate mistake: The cocaine dealer who was attacked by zombies returns after the group arrives. He is wearing the denim jacket he took off when the zombies attacked him.

Randy DeShong

Lethal Weapons - S3-E7

Continuity mistake: When the family is in the traffic jam there's a shot from the front of the car, and in the next shot from the backseat of the car, Peter's face (glasses and part of nose) is reflected in the rear view mirror. However, there's no rear view mirror in the first front shot or shots following backseat shot.

Randy DeShong

Visible crew/equipment: In the beginning of the movie (about 10 mins. in) Steve McQueen and Aneta Corsaut are driving along and think they hit an old man on the road. They stop the car and get out. There is a shot of the rear right panel of the car, two sets of "lights" are visible reflecting off the car. One single light and 4 lights in a square shape to the right of it. They help the man into their car and there is another side shot of the car and the lights are now 3 sets of 2 lights. They're in the middle of nowhere, at night, along a country road. It looks like "light trees" used to illuminate a scene at night.

Randy DeShong

Continuity mistake: When Shirley Maclane is in the hospital after her car accident Meryl Streep puts make-up on her. She applies blush to the left cheek, then the shot switches and she applies to the right side, then the shot switches again and she is working on the left side again.

Randy DeShong

Continuity mistake: When Meryl Streep wakes up in the hospital, she is being asked questions by an appointed psychiatrist. The psychiatrist's hands move from down on her writing pad to up by her face every time it switches from front to back view. (Notice the left side of her face, fingers and pen visible).

Randy DeShong

Maude Takes a Job - S2-E7

Continuity mistake: Towards the end of the episode, Maude makes Walter breakfast and lists some things she will get done around the house. One is to paint the kitchen chairs. She spray paints the chair with Walter in it - the amount of spray paint on Walter's jacket changes thoughout the scene, especially when Maude is on the phone turning down a job.

Randy DeShong

Revealing mistake: In the very beginning of the movie, Laurie Cardille is sitting looking at a wall with nothing but a calender on it. She rises and walks up to the wall to get a closer look at the calender. Suddenly hands come out of the wall. If you look closely, you can see the round marks on the "cement" block wall where the hands will come out. Viewed best when freeze framed (which is permitted for a revealing shot such as this one), just before hands emerge.

Randy DeShong

Continuity mistake: In Jack's first appearance to David in the hospital room, Jack uncovers the food on the tray and takes a piece of toast from another plate on the tray. The silver cover on the tray changes position throughout the scene in various shots. Sometimes the cover is resting partly on the tray and sometimes flat on the tray table surface.

Randy DeShong