Jez

Corrected entry: In the Omaha Beach scene we can see certain of the beach obstacles Rommel had installed just a couple of months before the invasion took place. While most of them are according to historical appearance, the triangles of wood are headed the wrong way. Their flat end is to be towards the sea, not towards the bunkers.

Correction: In the movie, there are wooden structures facing in both directions. The ones further out to sea are sloping down towards the beach (presumably to prevent landing craft from getting too close) and the ones actually ON the beach are facing the other way, to prevent heavy armoured vehicles from driving up to the bunkers.

Jez

Corrected entry: At the end of the beach battle, Captain Miller calls up a soldier with a flamethrower to clear the bunker. Firing a flamethrower through the back entrance to a bunker was extremely unwise. A well constructed bunker (and the Germans were good at making bunkers) would not have a back entrance that led directly into the main area of the bunker. In order to deflect blasts there would either be a concrete slab inside the door or a corridor which would force you to turn left or right to enter the bunker. Firing a flamethrower straight through the door into a concrete slab would kill the flamethrower operator as the flame deflected back at him.

Correction: As the shot changes to show the front of the bunker, there is time for the flamethrower operator to go round the corner into the main area. It's unlikely he would have fired straight away when faced with the wall, and we don't see exactly what he does.

Jez

Corrected entry: In the scene where Ryan and Miller are lobbing mortars at the advancing troops, they both say they are out of ammo but as soon as they cross the bridge Hanks is firing his Thompson at the german firing line, if he said he was out where did he get the Thompson ammo?

Correction: They would have had some spare ammo in their 'Alamo' position, which they have just reached.

Jez

Corrected entry: At the beginning of the last battle scene in the French village you can see the back of the soldiers who are looking down the street awaiting the arriving German tanks. If you look closely at the end of the street you can see the stationary, angled barrel of a tank yet the soundtrack of that tank leads the viewer into believing it is moving beyond the buildings. When the "sound" of the tank reaches the street the tank itself starts to move as well.

Correction: The stationary, angled object is a piece of rubble, not the tank's gun barrel. The tank emerges from a a position behind the junk.

Jez

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