Directed by: Mary Harron
Starring: Willem Dafoe, Reese Witherspoon, Christian Bale, Jared Leto, Samantha Mathis, Chloë Sevigny
Visible crew/equipment: In the scene after Patrick Bateman's second encounter with the detective in his office, we see Bateman having sex at Courtney's apartment. After he rolls off her, Bateman approaches the large, stand-up mirror in the bedroom. In the upper right hand corner of the mirror, a boom microphone can clearly be seen moving around to pick up Christian Bale's lines. The next time we get the same long shot, the microphone is gone. (00:52:45)
Other mistake: Several close-ups of the business cards of Patrick Bateman and his associates reveal a misspelling of the word "Acquisitions" (the "c" is missing - not a small error, given that this is the name of their department).
Visible crew/equipment: In the opening scene, the camera and camera man can be seen reflected in the knife.
Trivia: Willem Dafoe was asked to play Donald Kimball in 3 different ways: he thought Bateman was guilty, he didn't think Bateman was guilty, and he wasn't sure if Bateman was guilty. They were all blended together to make the audience not know what Kimball thought of Patrick Bateman.
Trivia: When Bateman in the end of the movie confesses his murders to the answering machine, he mentions murders like a man with a dog and a girl with a nail gun. Those are all murders described very graphically in the book.
Trivia: The infamous scene where Patrick Bateman kills Paul Allen while discussing Huey Lewis and the News was recreated by Huey Lewis himself in the role of Bateman, with "Weird Al" Yankovic being his victim as revenge for parodying his song "I Want a New Drug."
Patrick Bateman: I think, um, Evelyn that, uh, we've lost touch.
Evelyn Williams: Why? What's wrong?
Patrick Bateman: I need to engage in homicidal behaviour on a massive scale can not be corrected but, uh, I have no other way to fulfill my needs.
Patrick Bateman: I have all the characteristics of a human being: blood, flesh, skin, hair; but not a single, clear, identifiable emotion, except for greed and disgust. Something horrible is happening inside of me and I don't know why. My nightly bloodlust has overflown into my days. I feel lethal, on the verge of frenzy. I think my mask of sanity is about to slip.
Patrick Bateman: I'm leaving. I've assessed the situation, and I'm going.
Question: Did Patrick really kill anybody or was it all in his mind? He killed a homeless man but there's no news report about it on TV. He murders Paul but is told Paul is in London. He severely beat and bloodied two prostitutes but no cops show up to arrest him. He murders Elizabeth and Christie but when he goes back to the apartment later, it is empty and put up for sale.
Question: Do we know what Patrick does to the 2 girls he takes back to his flat? We see his instruments in his drawer but then they leave in the next scene.
Chosen answer: He tortures them. You can see them bleeding as they leave. Christy also says she had to have surgery afterwards.
Question: When Patrick talks to Carnes, he confesses that he murdered Paul Owen. Why doesn't Carnes believe him, and how could Carnes have had dinner with Paul?
Answer: There are two possible answers. First, Carnes doesn't recognize Christian Bale as Bateman, instead thinking he is someone named Davis. He insults Bateman and thinks "Davis" left the message as a joke. Realize also that someone claims to have seen Owen/Allen in London, but mistook Herbert Ainsworth for him. Second, Bateman is delusional and only thinks he killed Owen/Allen, who is in fact alive and in London.
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Answer: The situation is intentionally left vague. The homeless man being murdered wouldn't necessarily make the news in the time (there were over 4000 murders in 1989-90 when the book and movie are set). He and his friends are so alike that they continually mistake each other for others. The prostitutes would likely be loathe to call the police because they might be arrested themselves and he would likely get off with a much better lawyer.
Greg Dwyer