Directed by: John McTiernan
Starring: Bruce Willis, Alan Rickman, Bonnie Bedelia, Paul Gleason, Reginald VelJohnson
Continuity mistake: After he climbs out of the air duct, John McClane's shirt goes from white to green. The dirt and grime from the air duct would cause discolouration only where the shirt comes in contact with the duct. However, his shirt is uniformly green including places that wouldn't make contact and it is impossible for all surfaces to make contact even in small areas. (00:23:05 - 00:56:30)
Other mistake: Powell says he has a desk job, but he is driving a cruiser. Cruisers are for cops on patrol. A cruiser would not be issued for a cop at a desk, especially not one who's on his way home, as Al says he is.
Visible crew/equipment: In the first scene of the Christmas party when Takagi steps out of one the offices and greets a couple of his guests, the camera pans left to show the orchestra and other guests. A huge shadow of the camera and its operator is being shown on the back wall, then the stage light gets moved to light a different area and the shadow is gone. (00:02:20)
Trivia: The teddy bear that Bruce Willis brings to his son is the same bear Alec Baldwin brings home to his daughter at the end of "The Hunt for Red October," which is another John McTiernan film.
Trivia: During filming, Alan Rickman was found proficient at mimicking American accents; the scene in which McClane and Hans Gruber meet was then inserted.
Trivia: Nakatomi Plaza, the setting of the film, is actually Fox Headquarters in Los Angeles.
John McClane: Oh, you're in charge. Well, I got news for you, Dwayne. From up here, it doesn't look like you're in charge of jack shit.
Dwayne Robinson: You listen to me, you little asshole.
John McClane: Asshole"? I'm not the one who just got butt-fucked on national TV, *Dwayne*.
John McClane: A hundred million terrorists in the world and I gotta kill one with feet smaller than my sister.
John McClane: Yippee-ki-yay, motherfucker.
Question: On the some versions (TV), when Al walks in the lobby to check it out, right before he gets to the elevators and then leaves, the camera pans to the left and you see a terrorist with a machine gun waiting for him. On other versions (VHS) you don't see this terrorist. Why? NOTE: I've seen both on the same TV set.
Question: If the guy at the reception desk knew that the only ones left in the building were on the 30th floor, why did he tell John to use the screen?
Answer: Most large companies, particularly hi-tech or multinational ones, require visitors to check-in, especially afterhours. By having John search for Holly's name, it can be verified that he actually knows someone who works there, that there is an actual employee with that name, and otherwise assess whether John is a legitimate visitor. This scene's real purpose, however, is for plot exposition. John learns from the monitor that Holly now goes by her maiden name (Gennero) rather than her married surname. We see John's annoyed reaction to learning this, which sets up a later confrontation between him and Holly over their troubled marriage.
Answer: Any answer is speculation; but a simple explanation is he may have forgotten the only people left were there for the Xmas party until John mentioned the 30th floor. The guard also seems fairly proud of their new high-tech touchscreen system so he might have just had John use it to show off how nice the building is.
Answer: Most likely he just wanted to showcase a nifty (by 80s standards) piece of technology to a visitor.
Answer: The party was on the 30th floor and John was asking for a specific employee, his wife. He had no idea where she was exactly.
Question: Has Die Hard, Die Hard 2, Die Hard 3 and Live Free and Die Hard ever been spoofed? If so which ones and what is the film that spoofed it/them?
Answer: There was a Netflix movie in 2018 that directly spoofed "Die Hard." It's called "Game Over, Man!"
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Answer: The most likely reason is that the two versions have been "panned and scanned" differently. In the original theater version, both things are on screen at the same time at opposite sides of the screen. In one version, the person who did the TV P&S (not someone associated with the making of the film) chose to move the view from one side of the original picture to the other, showing the terrorist, while the person who did the VHS P&S stayed focused on one side of the frame, only showing Al.
Myridon