Reservoir Dogs (1992)

Continuity mistake: In the scene where Mr. Blonde is pouring gasoline over the cop, the cop's legs are flying around trying to kick him. Later, we see that the cop's legs are still taped to the chair.

Continuity mistake: When Mr Blonde cuts the ear off the cop, we cut to a shot of him holding the ear, it is covered in blood. However, when we cut to a shot of Mr Blonde talking into the ear, there is no blood on the ear.

Deliberate mistake: In the torture scene, Mr Blonde turns the radio on and listens to "Stuck in the Middle with You" as he proceeds to torture the cop. Mr Orange shoots him before Mr Blonde turns the radio off, but somehow the radio is never heard again in the film.

Trivia: Michael Madsen was extremely reluctant to film the torture scenes, especially when he was required to hit Kirk Baltz.

Cubs Fan ★

Trivia: In the opening scene of Reservoir Dogs Quentin Tarantino says that Madonna's "Like a Virgin" song is a metaphor for big dicks. Long after the movie was made, Quentin met Madonna and she gave him a copy of her album Erotica and inscribed it with "To Quentin - it's about love, not dick."

Kelsey H.

Trivia: Mr. Blonde's real name is Vic Vega. John Travolta plays Vincent Vega in Pulp Fiction. In a cut scene, Nice Guy Eddie (Christopher Penn) is calling a doctor to fix Mr. Orange. Her name is Bonnie. Quentin Tarantino's wife's name is Bonnie in Pulp Fiction. And she's a nurse. Mr. Blonde's parole officer is Seymour Scagnetti. Scagnetti plays the cop in Natural Born Killers. Mr. White used to hang out with Alabama. Alabama is the lead female in True Romance.

Mr. White: If you shoot me in a dream you better wake up and apologise.

Mr. Pink: Hey, why am I Mr. Pink?
Joe: Because you're a faggot.
Mr. Pink: Why can't we pick our own colors?
Joe: No way, no way. Tried it once, doesn't work. You got four guys all fighting over who's gonna be Mr. Black, but they don't know each other, so nobody wants to back down. No way. I pick. You're Mr. Pink. Be thankful you're not Mr. Yellow.
Mr. Brown: Yeah, but Mr. Brown is a little too close to Mr. Shit.
Mr. Pink: Mr. Pink sounds like Mr. Pussy. How 'bout if I'm Mr. Purple? That sounds good to me. I'll be Mr. Purple.
Joe: You're not Mr. Purple. Some guy on some other job is Mr. Purple. You're Mr. PINK.
Mr. White: Who cares what your name is?
Mr. Pink: Yeah, that's easy for you to say, you're Mr. White. You have a cool-sounding name. All right look, if it's no big deal to be Mr. Pink, you wanna trade?
Joe: Hey! NOBODY'S trading with ANYBODY. This ain't a goddamn fucking city council meeting, you know. Now listen up, Mr. Pink. There's two ways you can go on this job: my way or the highway. Now what's it gonna be, Mr. Pink?
Mr. Pink: Jesus Christ, Joe, fucking forget about it. It's beneath me. I'm Mr. Pink. Let's move on.
Joe: I'll move on when I feel like it... All you guys got the goddamn message?. I'm so goddamn mad, hollering at you guys I can hardly talk. Pssh. Let's go to work.

Mr. Blonde: Eddie, if you don't stop talking like a bitch, I'm gonna slap you like a bitch.

Question: Why does Mr. White snap his fingers when trying to light his cigarette lighter?

Question: There is a piece of music that you can hear for just a split second when Mr. Blond is tuning through the radio stations looking for K. Billy's super sounds of the 70s (right before he tortures the cop). The exact same piece of music is also heard for a split second in Kill Bill Vol 2 when the camera is looking down on the bride's body in the church. What song is this piece of music from?

Question: Why did Mr. Orange tell Mr. White that he was a cop? Surely he must have realised he would take it badly.

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