Inception

Character mistake: In the final scene Cobb's children class him "daddy!" but Cobb's son also calls him "Leo!"

Character mistake: On the Shinkansen train, Cobb says, "I'm getting off in Kyoto." Not exactly wrong, but a moment afterwards they are in Tokyo and you see the Tokyo skyline.

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Suggested correction: Yes. He gets off at Kyoto and says "every man for himself." Perhaps this stage of the plan was for him and Arthur to split up to avoid a tail (we do see later that he is being tailed). But regardless of the reason, we see that it is daylight when he leaves the group to get off at Kyoto. Plenty of time for him to be in Tokyo by nightfall.

jshy7979

Inception mistake picture

Continuity mistake: When Ariadne wakes in the Snow Fortress and the floor goes from under her, we can see her gloves fall in to the crack but in a different camera shot of her we can see the gloves are now back near her head again. (02:12:20)

09mcateero

More mistakes in Inception

Cobb: We need the heir of a major corporation to dissolve his father's empire.
Eames: Well, you see, right there you have various political motivations and anti-monopolistic sentiment and so forth, but all that stuff is at the mercy of your subjects own prejudice. What you have to do is start at the absolute basic.
Cobb: Which is what?
Eames: The relationship with the father.

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More trivia for Inception

Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.

Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.

jshy7979

Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.

Tailkinker

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