Question: Would anyone happen to know what song is playing in the background on the radio beside the intelligence officer sitting at the bar when Martin Sheen enters the Generals trailer and is being interviewed by Harrison Ford for the first time?
Question: Why was only one officer (Captain Willard) sent to assassinate Colonel Kurtz? Isn't it very unlikely for a captain like Willard to be able to kill a powerful and influential and "insane" colonel like Kurtz?
Chosen answer: Kurtz was protected by political connections and his military record from being relieved of command, and the Montagnard people whose village he was in were considered American allies, so they couldn't just send a force in to kill him or relieve him of command, but an individual assassin. (The US Government's "official" policy is that they do not engage in assassination, which is why "this mission does not exist, nor will it ever exist").
Question: This may sound a little crazy to the uninitiated, but does anybody have an alchemical interpretation of Apocalypse Now? I remember seeing pages from Coppola's screenplay that were annotated and made reference to transmutation.
Answer: It should be noted that "transmutation" is a word Coppola has used to describe the film making process. Https://m.youtube.com/watch?v=LFTQcwgq4CY.
Answer: Could you be a bit more specific? I can give a link to the screenplay if you wish. Http://www.dailyscript.com/scripts/apocolypse.html I hope that helps.
Answer: It's not any specific song; it's just the kind of generic piano music you'd hear at dinner at a high-class restaurant of the era. Think of scenes in movies, films, etc. set or made in the '50s and '60s, where the characters go to a nice dinner and there's someone at the piano playing unobtrusive music to accompany the food/conversation.