The Fugitive

Other mistake: After we see a shot of the prison bus driving along a road, the white, balding jail guard says, "20 miles to Benard. We should be there in 40 minutes." Not long after, one of the inmates begins to foam at the mouth. The black prisoner cries, "Hey, somebody, get in here quick!" The black jail guard stands up to unlock the cage, and the white, balding guy says to him, "We're almost to the prison." This is impossible considering he just mentioned the prison was 20 miles away. (00:14:52)

Sniffeh

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Suggested correction: Almost is a relative word and compared to Chicago/Cook County, they could almost be at the prison (when flying from NYC to LAX, when you are over Utah, you are almost there even though you still have like an hour to go). But more likely (and how I have always taken it to mean), the guard didn't give two cents if these prisoners died in transport and the other guard should just sit tight because they are almost where they have to go and the prison doctors can look at him then.

Other mistake: When Harrison Ford is being chased in an ambulance by the police, there is a shot of police cars heading towards the waterfalls in the background. If you look closely, the water is not moving. (00:33:15)

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Suggested correction: The water IS moving, you just need to look closely.

Other mistake: When Kimble takes the elevator to the conference to confront Dr. Nichols, he presses a button, but the one beside it is the one that actually lights up. In this particular elevator, the button he pressed is the one that should have lit up.

Other mistake: When Dr. Nichols hits Dr. Kimble with a chair, look carefully. As Dr. Nichols swings the chair, it starts falling apart before it even makes contact with Harrison.

Other mistake: After Kimble has been rescued from the train wreck and unchained, he escapes, running alongside a body of water. As Gerard announces to the other officers that there's a fugitive on the loose and gives instructions, Kimble is seen running again, in a replay of the earlier shot. Not only are all the same landmarks in place, but at the end of both sequences, he moves his arm to shake off a branch that's snagged him.

Other mistake: After the train crash the news crews and sheriff are interviewing the surviving corrections officer. He boasts how heroic he was to rescue his partner from the wreckage, claiming that he was his partner and he would do the same for him. The only problem is that they are surprised when they find that same surviving corrections officer several scenes later and rush him to the hospital. Why would they be surprised to find an officer they already knew about?

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Suggested correction: The first corrections officer had been exposed as a liar and made up the story that Kimble and Copeland were dead. Nobody believed he heroically saved his partner. Everyone assumed since the partner hadn't been found right away that he died in the wreck. It never occurred to anyone that Kimble would put his own life on the line to save a guard, so actually finding the guard alive was a surprise.

BaconIsMyBFF

There is nothing formally wrong with the order of events here. The assumption is that the second officer's whereabouts are known at the time of the senior officer's story - but that is actually only an assumption. Finding the second officer would of course not be important to the main story in any way, and thus this sub-story was not explained in the movie. To word it an alternative better way, why would the senior officer make up this story of saving the second officer, if the officer had not been located yet?

The second officer's whereabouts are most certainly not known when the first officer is interviewed. The first officer is interviewed the night of the crash and the second officer is found the next morning.

BaconIsMyBFF

Other mistake: When Kimble is heading towards the dam driving the ambulance in the tunnel, his lane is empty in the wide angles, yet in the close-ups he is swerving the steering wheel violently as if there were cars ahead. This keeps changing back and forth.

Sacha

Other mistake: During the St. Patrick's Day parade, the camera shows a clock that displays the temperature, which is supposedly 23°. None of the spectators or performers we see is dressed for that temperature. They would be way more bundled up than they are. Everybody is dressed for weather in the 40s or so.

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Suggested correction: 20s is nice and toasty.

Continuity mistake: Kimble dyes his hair very dark to escape detection and dyed hair fades over time. For the rest of the movie his hair noticeably goes from darker shades to lighter shades and back again showing that the scenes were shot non-sequentially on different days with a fair amount of time in between.

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Trivia: When "Richard" starts to limp it wasn't planned, Harrison actually hurt a ligament in his knee shooting a promo for the movie, a promo that wasn't even part of the movie. He refused to receive treatment until filming was finished and ended up needing surgery.

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Question: When Kimble is in the hospital with the boy he changes the diagnosis to what? I have tried to look but it cuts away as he's writing it down on the boy's file.

Answer: When Richard changes the diagnosis, the first thing he writes down is "AO" which is medical shorthand for aorta. Many people who have medical degrees and saw the movie speculate that Joel had an aortic tear. This would cause blood to flow into the chest cavity making it difficult to breathe and with the impact from the crash it could have caused the fatal injury. An aortic tear requires immediate surgery and by changing Joel's diagnosis, Kimble was able to save his life.

Answer: Kimble is watching as the doctor, Al, looks at the chest film and states "possible fractured sternum, he's stable," and we can see Kimble's bothered by that. Then Kimble is told to take the boy to observation room 2. When Kimble questions the boy and looks at the chest film, Kimble ignores what he was told, and instead heads directly for the surgical OR. In the elevator he draws a line over the incorrect essential diagnosis: "depress chest w/ poss fr" (possible fracture), and begins to write "Ao," then he scribbles a signature on the Patient of Dr line. The essential diagnosis Kimble writes is presumably an Aortic trauma, which is a life-threatening critical injury and requires immediate attention. So when Kimble brings the boy to the OR (instead of observation room 2) for the emergency medical procedure, he tells the doctor the boy was sent up from downstairs. The child is then taken to operating room 4, STAT, thus saving the child's life.

Super Grover

Its a pneumothorax, is air trapped between the lung and the ribcage and it's very common.

Answer: The presumption is the boy was misdiagnosed and he changed the chart to the correct diagnosis. The doctor says later that he saved the boy's life. Most likely he changed the charge to order specific tests.

Answer: It's never specified what he changed the orders to, nor is it important to know. This was done only add to the plot where the other doctor noticed him looking at the X-ray, arousing her suspicion, then creating suspense as Kimble barely escapes from the hospital.

raywest

We know it isn't important know, it's just a point of curiosity.

True and if you notice that's the always reliable Julianne Moore as the other doctor. This was the first movie that she did that was lampooned in Mad magazine, the next would be Mocking Jay Part 1.

Rob245

"The Lost World: Jurassic Park" and "Hannibal" were both lampooned by Mad before "The Hunger Games: Mockingjay - Part 1."

Bishop73

I totally get that you're curious about it. Just saying that filmmakers usually aren't concerned with showing small details like that. They use broader strokes to tell the story.

raywest

A lot of film makers do put in small details into their work. Yes, some are lazy, for example, repeating 1 or 2 paragraphs in a news article too look like they whole page is filled. Others take time to have the whole thing filled out, even adding funny things for the viewer who paused the video to read. This is why there's a lot of trivia entries and questions about what something small was or meant. A casual viewer wouldn't know if what they saw meant something or was the film makers being lazy.

Bishop73

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