The Aviator
Movie Quote Quiz

Ava Gardner: You listened to my phone calls?
Howard Hughes: No! No! No! Honey I would never do that! I'd never do that! I... I just read the transcripts, that's all.

Sen. Ralph Owen Brewster: ...we would like him to reappear. Would you ask him to return?
Howard Hughes: No, I don't think I will.
Sen. Ralph Owen Brewster: Will you try to have him return?
Howard Hughes: No, I don't think I'll try.
Sen. Ralph Owen Brewster: You don't think you'll try?
Howard Hughes: No, I don't think so.

Howard Hughes: You don't care about money because you've always had it.

Howard Hughes: Come in with the milk. Come in with the milk. Come in with the milk.

Howard Hughes: I want ten chocolate chip cookies. Medium chips. None too close to the outside.

Howard Hughes: What the hell does a senator from Maine need to fly to Peru for?

Juan Trippe: If you let him testify at that hearing, the whole world will see what he's become. They should remember him for what he was.

Ava Gardner: You don't own me, Howard. I'm not one of your teenage whores and I'm not some damn airplane.

Howard Hughes: I'm in a street fight, and I'm not going to lose.

Spencer Tracy: Trouble with Mr. Hughes?
Katharine Hepburn: There's too much "Howard Hughes" in Howard Hughes. That's the trouble.

Howard Hughes: You have called me a liar and a thief and a war profiteer.

Continuity mistake: When Hughes and Odie are talking about mounting a camera on a biplane and removing one of the wings, the shots alternate between a back view of their heads and a front view of their faces. Odie's head position has no relationship to the one it had in the preceding angle in most of the cuts.

Sacha

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Question: The colors in this film are otherworldly, (almost like the colors in a black and white movie that has been artificially colorized) and could not have been natural or achieved with any net or filter. I'm fairly certain that there is no method of stylized pre-exposure, and digital colorization, while possible, would have been painstaking on such a grand scale. How did they accomplish it?

Answer: The first sections of the film are shot in two-strip and three-strip technicolor, a common practice in the early versions of color filmmaking that were happening at the time. The scene on the golf course between Howard and Kate Hepburn is a prime example. As far as the later sections of the film, never underestimate the power of digital effects. :)

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