Fatal Attraction

Fatal Attraction (1987)

82 mistakes - chronological order

(4 votes)

Continuity mistake: In the very first scene we see Ann Archer pulling down a shade from afar with the curtains pulled to the side. Then we switch to her inside the apartment and see the curtains are already closed. (00:02:00)

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Continuity mistake: Quincy is sleeping on the little girl and keeps changing positions on her lap. (00:02:10)

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Continuity mistake: As a little girl is sitting on the couch with the dog, there is a book to the left of her which is gone in the next shot. (00:02:35)

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Continuity mistake: In the party scene the people behind Stewart Pankin on the slow moving food line change it just a matter of seconds from shot to shot. (00:04:50)

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Visible crew/equipment: When the family leaves their apartment building you can see the reflection of a boom mike in the right door. (00:09:40)

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Visible crew/equipment: This is much easer to see on the VHS version. As Michael Douglas goes through the revolving door at his office, as it stops, you see the reflection of a crew member standing there. (00:18:35)

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Continuity mistake: In the elevator scene as you look down the shaft from above, the air is crystal clear with no smoke in sight. Then in a few seconds smoke appears near the windows but in the next shot when the elevator stops the smoke is gone. (00:20:10)

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Continuity mistake: In the scene where Michael Douglas is listening to the answering machine look at the towel to the right of the paper towel rack. It is moved the next time you see it. (00:22:15 - 00:23:05)

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Continuity mistake: When Michael Douglas comes home the first night after being a bad boy with Glenn Close, he is shown in the kitchen talking on the phone to his wife at a little after 8:30 AM. Not only does he talk to her, but he also has a whispery chat with his lover, walks all about the kitchen, sits at the table, and the time on the clock doesn't change once. (00:22:20 - 00:23:05)

Visible crew/equipment: This is very tough to spot, but as Michael Douglas is in his kitchen talking to Anne Archer, if you look very closely above his head you'll see a quick tiny white reflection of a piece of equipment in the glass cabinet. (00:24:30)

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Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The earring is still there.

Continuity mistake: After Glen Close kicks Michael Douglas out of her apartment he's standing next to her bicycle holding his stuff. It can be assumed that he put the stuff on the bicycle seat because in the next shot his hands and the handlebars are empty. But later as we see him getting ready to leave again his stuff is the on handlebars. (00:34:35 - 00:37:10)

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Continuity mistake: The amount of wine in the Michael Douglas' glass changes in the scene where he is talking to his daughter about rabbits. It fills up without being touched. (00:41:30)

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Alex Forrest: You're here with a strange girl being a naughty boy.
Dan Gallagher: I don't think having dinner with anybody's a crime.

More quotes from Fatal Attraction

Trivia: The opera that Glenn Close buys the tickets for is Madame Butterfly. That is the song she is listening to when we see the first signs that she is losing it. Note: At the end of Madame Butterfly the heroine kills herself over a lover. In the director's cut of Fatal Attraction Glenn Close cuts her throat in the bathroom of Michael Douglas' house thereby killing herself over a lover.

More trivia for Fatal Attraction

Question: What is the significance of Glenn Close and the color white? I noticed that her apartment is white and with the exception of one scene when she's wearing the black leather coat, she is always wearing white. Any thoughts on this?

Enchantress

Chosen answer: With questions such as this, one can either speculate, or one can go directly to the source. So, using IMDb, I looked up the names of the crew on "Fatal Attraction." The costume designer is listed as Ellen Mirojnick. The set decoration was the responsibility of George DeTittas, Sr. I found Ellen Mirojnick on Facebook (https://www.facebook.com/Ellenmirojnick/posts/263462080524551?comment_id=263621453841947&offset=0&total_comments=2¬if_t=feed_comment), and posed the question to her. This was the reply she gave: " (I)n our process there is always a purpose for a palette to tell a story dramatically. I chose white for her character because white is powerful and although not essentially a "color" it reflects all other colors, which would in turn reflect where we were in the story. I thought through her silhouettes and use of shades of whites, it would reflect her mood and not give away the demon she kept hidden. WHITE is powerful... As she was!" I have not yet been able to track down Mr. DeTittas for comment. But I have posed the additional question to Ms. Mirojnick regarding whether the color palette motif was a decision shared by different departments on the film. Ms. Mironjnick added the following comments: "she wears white to discuise (sic) her darkness, that somehow is revealed in certain places.. white is all things combined .. it radiatesits (sic) the confusion as if she was in an asylum, but her own."

Michael Albert

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