Continuity mistake: In the scene where Renfield is locked up in the sanitarium cell, the camera first zooms in to the horizontal bars on his window. Some shots later, the camera shows the guard looking under the doorflap, and since the door is opposite the window, the shadow of the bars fall on it. The bars have suddenly changed to a criss-cross pattern.

Dracula: Dead and Loving It (1995)
Plot summary
Directed by: Mel Brooks
Starring: Leslie Nielsen, Mel Brooks, Peter MacNicol, Steven Weber, Amy Yasbeck
In Transylvania, 1893. The count is visited by a traveling salesman called Thomas Renfield, who is visited by vampiresses in the night. Dracula walks in on the scene, and decides that Renfield will be his new slave. They Then sail for England and along the way Count Dracula kills all of the crew. The Count then goes to the opera to meet Dr. Seward who has property adjoining Dracula's. He is attracted his daughter Lucy. The Count flies into Lucy's room in the form of a bat, and then regains his form after Dr. Seward and Jonathan, the fianc
James McManus
Dr. Seward: Your master is gone forever, Mr. Renfield. You are your own man now.
Renfield: I am?
Dr. Seward: Yes. No one will ever control you again.
Renfield: You're right.
Dr. Seward: Good. Come, Renfield.
Renfield: Yes, Master.
Trivia: For the scene in which Jonathan drives a stake into Lucy's heart, Steven Weber's reactions to getting doused in blood are real. For this particular sequence, Mel Brooks did not tell him what was going to happen.
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Answer: As there is no reference anywhere on the Internet as to this word's definition, it would appear to be a made-up expression for the movie.
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