Directed by: Michael Moore
Starring: Dan Aykroyd, John Candy, Kevin Pollak, Alan Alda, Rhea Perlman
Genres: Comedy
Other mistake: Soon after Dan Ackroyd makes John Candy translate all the phrases spray-painted on the van into French, you can see them driving on the road and all the spray-paint has gone. Then later in the film it reappears and stays for the rest of the film.
Other mistake: Sheriff Bud B. Boomer runs to the top of Toronto's CN tower by staircase and doesn't even draw a breath when he gets there.
Visible crew/equipment: When the presidential procession is going down a street in the very beginning, on one of the black cars you can see the reflection of the vehicle with the camera crew shooting the movie.
Kabral: The black guy always dies. Think about it, man. Unforgiven. Alien. Rocky IV. The Shining.
Roy: Star Trek II. Forrest Gump. Witness.
Bud: Annie Hall. Not Annie Hall.
Roy: No, Night of the Living Dead.
Bud: That's the one!
Kabral: And what about that brother in Jurassic Park, man?
Bud: There were two black guys who died in that one. That was a twofer. You must be really pissed off at that one.
Trivia: This was John Candy's last film released after his death. Candy died during filming of "Wagons East" but had already finished filming "Canadian Bacon." "Canadian Bacon" sat on the shelf for two years while Michael Moore struggled to get the film distributed once production wrapped up.
Question: Why does Michael Moore give special thanks to Ken Starr in the credits? Did they have a good relationship in the 90's? From what I know of Moore, it would seem that Starr would be a guy he blames and hates. Yet the special thanks doesn't seem to be sarcastic since everyone else listed seemed to deserve the thanks.
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Chosen answer: Michael Moore's disdain for Ken Starr is clear, and continues. As recently as May of 2013, Mr. Moore referred to Ken Starr on Twitter in a negative light ("'Bring Back Ken Starr' And you said Bill Keller couldn't write anything stupider than his column backing the Iraq war"). As such, I suspect his acknowledgement of Mr. Starr is both sarcastic and genuine. He isn't showing respect for or gratitude to the man as much as he is acknowledging the fodder Ken Starr, his politics and his tactics provide to the concept of a film like "Canadian Bacon."
Michael Albert