Unfaithful

Visible crew/equipment: When Connie and Paul run into each other on the sidewalk, you can see a crash mat blowing around.

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Suggested correction: I watched this scene over and over, looking for a crash mat or any other kind of mat. Didn't see one.

Well I did. Thanks.

Look closely when they're on the ground. You can see what looks like a black commercial rug that they sometimes have when you walk into large business buildings. The kind with rubber edges. Pause the video and you'll see the black rubber edges and then next second, the crash pad disappears.

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Mistakes

Other mistake: The first time the cops come to the house, Connie and her son see them from the upstairs window, and start walking downstairs. It then cuts to the cops in the living room looking around, and Connie walks in and introduces herself. Her husband is not home, so did the cops just walk into in the house without knocking?

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Suggested correction: I'm pretty sure the housekeeper let them in if you listen carefully.

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Quotes

Tracy: Having an affair is nothing like taking a pottery class.
Sally: Could be.
Tracy: No. It would start out like that, and then, um, something would happen. Someone, uh, finds out, or someone falls in love, and it ends disastrously. It always ends disastrously.

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Questions

Question: In the final scene of the film Richard Gere and Diane Lane have their SUV stopped at a traffic light, and I've noticed that there's a police station directly to their right. This could have very well been a coincidence, but maybe it's not? Does anyone know if it signifies anything pertaining to the plot, for example, the dilemma of Richard Gere turning himself in vs. their decision to flee the country?

Answer: That's exactly what it is meant to portray. If I remember correctly, the SUV's left turn signal is on as well, which only reinforces that idea that they have a choice to make. Right, turn himself in, left, flee the country.

Guy

Nope, just watched it and there is no left turn signal.

Answer: The light stays green for a while, but the car never moves. Then it turns red. To me, that suggests that Edward realises he has to stop the insane world of commandment-breaking that he and Connie are living in. One of my favorite movie endings.

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