Tombstone
Movie Quote Quiz

Doc Holliday: Oh. Johnny, I apologize; I forgot you were there. You may go now.

Johnny Tyler: Is something on your mind?
Wyatt Earp: Just want to let you know you're sittin' in my chair.
Johnny Tyler: Is that a fact?
Wyatt Earp: Yeah, it's a fact.
Johnny Tyler: Well, for a man who don't go heeled you run your mouth kind of reckless, don't you?
Wyatt Earp: No need to go heeled to get the bulge on a tub like you.
Johnny Tyler: Is that a fact?
Wyatt Earp: Mm-hmm. That's a fact.
[Johnny Tyler stands up.]
Johnny Tyler: Well, I'm real scared.
Wyatt Earp: Damn right, you're scared. I can see that in your eyes.
[Wyatt walks up to Johnny as Johnny reaches for his gun.]
Johnny Tyler: All right now.
Wyatt Earp: Go ahead. Go ahead, skin it. Skin that smoke wagon and see what happens.
Johnny Tyler: Listen, mister, I-I'm gettin' awful tired of your-
[Wyatt slaps Johnny hard in the face.]
Wyatt Earp: I'm gettin' awful tired of your gas. Now jerk that pistol and go to work.
[Johnny doesn't do anything and Wyatt slaps him in the face again.]
Wyatt Earp: I said throw down, boy.
[Wyatt slaps Johnny harder and when Johnny turns to look at Wyatt his mouth is bleeding.]
Wyatt Earp: You gonna do somethin' or just stand there and bleed?
[Johnny still doesn't do anything.]
Wyatt Earp: No? I didn't think so.

Turkey Creek Jack Johnson: Why you doin' this, Doc?
Doc Holliday: Because Wyatt Earp is my friend.
Turkey Creek Jack Johnson: Friend? Hell, I got lots of friends.
Doc Holliday: ...I don't.

Johnny Ringo: I want your blood. And I want your souls. And I want them both right now!

Doc Holliday: It's true, you are a good woman. Then again, you may be the antichrist.

Curly Bill: I feel capital!

Billy Clanton: Why, it's the drunk piano player. You're so drunk, you can't hit nothing. In fact, you're probably seeing double.
[He draws a knife, and Doc Holliday takes out a second gun.]
Doc Holliday: I have two guns, one for each of ya.

Ike Clanton: What is that Holliday? Twelve hands in a row? Ain't nobody that lucky.
Doc Holliday: Why Ike, whatever do you mean? Maybe poker's just not your game. I know! Let's have a spelling contest!

Wyatt Earp: You gonna do somethin'? Or are you just gonna stand there and bleed?

Sherman McMasters: Where is he?
Doc Holliday: Down by the creek, walking on water.

Wyatt Earp: You die first, get it? Your friends might get me in a rush, but not before I make your head into a canoe, you understand me?

Wyatt Earp: I spent my whole life not knowing what I want out of it, just chasing my tail. Now for the first time I know exactly what I want and who... That's the damnable misery of it.

Wyatt Earp: From now on I see a red sash, I kill the man wearing it. So run you cur. And tell the other curs the law is coming. You tell 'em I'm coming! And Hell's coming with me you hear! Hell's coming with me!

Texas Jack: You ever seen somethin' like that before?
Turkey Creek Jack Johnson: Hell, I never even heard of something like that.

Morgan Earp: Remember what I said about people seein' a bright light before they die? It ain't true. I can't see a damn thing.

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Mistakes

Factual error: During the gunfight in the lot behind the OK Corral, Tom McLaury is firing a six shooter at Doc just before Doc fires his shotgun in the air to scare Tom's horse away. The mistake is that Tom McLaury wasn't armed during the actual gunfight. He was shot by Doc while he was reaching for the rifle he had stored in his saddle. (01:14:58)

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Suggested correction: The events have been intentionally adjusted by the filmmakers to create a coherent and entertaining movie. It is not a documentary. This film is loosely based on true events; it's not a day-to-day account of the events of 1880 through 1882. Artistic license does not constitute a movie mistake.

Brenda Elzin

Changing facts in historical material does constitute factual mistakes, whether anybody wants to call them that or not.

It really depends on the degree to which the film-maker alters the facts, and whether that alteration is glaring or changes the story line. For most, it doesn't. Tom got shot and Doc shot him. There is an implicit duty of the audience to "suspend disbelief" - an acknowledgment that it is impossible to get every small detail correct.

How does changing the facts make it a good movie? I guess it might entertain those who know nothing about the facts. But for those who have studied and read up on things, going way out of the story does little in making a good story. That is why I like "Wyatt Earp" MUCH more than "Tombstone." No, "Wyatt Earp" is not a documentary. It, too, has altered some facts. But, to me, it is much closer to the truth. Even some of the dialog is from the Tombstone Epitaphs reporting of the incident.

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Trivia

Trivia: Val Kilmer has been quoted as saying that screenwriter Kevin Jarre insisted the actors wear real wool costumes, in accordance with the time period. During the scene in the Birdcage Theater, Val Kilmer says, a thermometer was placed on the set, and it read 134 degrees Fahrenheit. Kilmer suggested jokingly that this was the reason Doc Holliday killed so many people: "It's just, like, he wore wool in the summer, in the Arizona territory, and that made him mad."

MovieFan612 ★

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Questions

Chosen answer: A reckoning is like a judgment day, exacting retribution for one's actions. Doc was very well educated and had a very large vocabulary. He was correctly pointing out the subtle difference between revenge (to make Wyatt feel better about losing Morgan and about Virgil's crippling injury) and the fact that Wyatt was bringing about a judgment day (or reckoning) for each of the men who hurt his family.

MovieFan612

Answer: I've spent a lot of time thinking about this very question, and here's what I've come up with. I think there are at least two differences between revenge and a reckoning. First, I think it has to do with the scale of the response to an offending action. Revenge, in my mind, is an eye for an eye, i.e, "You killed my brother and wounded another, so I will inflict the same action on your family (or group, gang, whatever). " A reckoning is less a measured response to an offending action and more of a full-scale punishment, i.e, "You killed my brother and wounded another, so I will now slaughter your entire family-including those who were not directly responsible for the offending action." Second, I think there is also a difference in motivation. Revenge tends to be a very personal response to something, whereas a reckoning tends to be more of a response fueled by a need for justice. In Wyatt's case, it was both. He was enraged by what happened to his family, but was also a lawman.

Franklin Vaughn

Thank you for this response! I've only seen Tombstone a million times and asked the same question every time. It's hard to separate the difference between the two but I believe you nailed it. Well done.

I'm thinking the opposite in terms. Revenge is "Reflexive" and is generally any means necessary (out of an abundance of pain or rage) to hurt the other party. "Revenge is a dish best served cold." If one is exacting justice there's no need to be cold hearted. Therefore, Reckoning is (to me) a fair balancing of the "scales" hence "an eye for an eye." Not only consequences of actions as it were but a corrective action to an incorrect circumstance. Just my understanding.

The problem with that theory is there is no difference in the end because the end result was the same...the killing. True reckoning could have only been achieved though the apprehension and punishment by trial and jury, anything other than that is simply revenge.

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