The Thomas Crown Affair

Character mistake: Thomas rips off his one glove as he makes his escape but then grips the bottom edge of the security door to slide under it. Smooth metal door would leave perfect finger and palm prints. I doubt detectives would miss prints on a door that was normally recessed away from the public. His prints may not be on file but would be easy to obtain once he was under suspicion. (00:19:20)

Continuity mistake: When TC steals the Monet, he places the painting in the briefcase and closes the case breaking the frame in half and thus ripping the edges of the painting. When at home he opens the briefcase and the frame is obviously crooked but when he holds the painting up to place it above the fireplace it is perfectly intact and the painting is not damaged. (00:20:10 - 00:22:30)

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Thomas Crown: Regret is usually a waste of time, as is gloating.

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Trivia: The painting that is seen several times in the film depicting a man in a suit with an apple covering his face is "Son of Man", by Rene Magritte.

Ral0618

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Question: I know this is all part of the mystery, but how the hell does he steal the second painting? Everything else he's planned you can see the logic behind, how it worked, etc., but there's no possible way he could have got to the second picture - all the gates were shut and locked, the metal fireguards were in place...any ideas? If anyone involved in the making/writing of it is reading this, can they please get in touch with me?

Answer: On the commentary track for the DVD the director states that he has no idea how Thomas Crown stole the final painting.

Answer: The soft piano music at the start of the film is by Bill Conti, who is the soundtrack composer. I believe the piece is called Glider as it is used later in the film during the Glider flying scene.

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