Seven

Seven (1995)

24 mistakes - chronological order

(10 votes)

Seven mistake picture

Continuity mistake: At the beginning, when Brad Pitt gets out of bed there is a quilted cover on the mattress. Then when he goes to answer the phone it has a plain sheet. (00:06:20)

Continuity mistake: When they are in the car with heavy rain, you can see the pedestrians are NOT using umbrellas or wearing raincoats. It’s also raining far harder on the left of the car than the right. In addition, Somerset is turning the wheel to the right, and yet they’re driving in a straight line. (00:12:10)

Seven mistake picture

Continuity mistake: At the Greed crime scene, when Brad Pitt first gets up from the table with the remote control, his tie is tucked into his shirt. When he walks towards the TV, the amount of tie sticking out of the shirt increases. (00:17:10)

ployp

Seven mistake picture

Continuity mistake: The amount of the name that is left on the door when the janitor is scraping it off changes - it goes from being Some.... to Somerset. (00:18:35)

Seven mistake picture

Other mistake: When Somerset goes back to the man's house alone, he cuts a sticker on the door with his switch-blade to get in. The first error is the sticker is on the inside and it says "Keep Out." The best part about it is the door opens inward. How did they put the sticker on the inside and then exit? (00:20:45)

Seven mistake picture

Continuity mistake: At the precinct when Somerset recites the seven deadly sins for both Mills and the police captain to hear, Somerset has two crime scene photos in his hands. He holds the gluttony photo with three fingers, then only two, once the angle changes. (00:23:45)

ryguy_1983

Seven mistake picture

Continuity mistake: When Somerset is in the taxi on his way to the Library, he is wearing a blue and white shirt, yet when he arrives at the Library, his shirt is completely white. (00:24:42)

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Continuity mistake: The phone on Brad Pitt's desk changes position (parallel to the desk, then angled towards Brad Pitt, then angled away from him) several times when he first goes into his new office. (00:29:50)

Revealing mistake: In the scene where Det. Mills is chasing John Doe through the streets they end up in an alley, and Doe knocks Mills down with a crowbar. As Somerset runs up, Doe runs off and Mills drops back down to the ground and rolls off his side onto his stomach. As he does so you can see a red colored tube running from the back of his jacket/collar, across the back of his head to his forehead, supplying "blood". (01:14:10)

Continuity mistake: After the two witnesses are interrogated, we see Mills and Somerset having a conversation at some bar. When Mills is about to take a second sip of his beer, the glass swaps hands between shots. (01:28:15)

ryguy_1983

Continuity mistake: In the scene where Brad Pitt and Morgan Freeman are talking to Kevin Spacey in the car on the way to the desert, the grate between the front and back of the car is visible when they speak to Kevin Spacey, but not there when they speak to one another. (01:44:15 - 01:50:10)

Revealing mistake: When Somerset looks inside the box towards the end of the movie and then turns through Mills and Doe in the distance, if you watch carefully, you can see that Spacey and Pitt are actually replaced by two stand ins. (01:56:57)

Revealing mistake: Sloth is shown with three "arms." It's most easily noticed after he wakes up. His right arm is bent at the elbow, pointing to the ceiling, his left arm is pressed tightly to his left side between his torso and the jacket used to conceal the upper part of the prosthesis, and his third "arm", the prosthesis, is bent at the elbow, hanging halfway off the bed, and pointing to the left of his body. It has several large, protruding "veins" in it and the stump where the hand should be is off-screen.

Revealing mistake: When Victor springs back to life, his tongue is visible, even though the doctor says he chewed it off. This is seen just after Somerset says, "Emergency on that ambulance!"

Revealing mistake: Sloth actually has three arms. You can see his real arm next to him and the fake one on the right. Furthermore, when the cops first see him, his hurt arm is in a kind of shirt.

Other mistake: In the scene where Mills hears the phone ring while they are investigating the killer's house Mills runs down the hall way and slides on his knees to get the phone. You can clearly see the knee pads on his right knee.

Seven mistake picture

Continuity mistake: In the final scene where they are in the desert, the sun hits John Doe first on the left and then on the right side of his face in two different takes.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: It's impossible to tell from the angle.

Jack Vaughan

Continuity mistake: When the "lust" guy is being interviewed, Morgan Freeman throws a photo down on the table. He throws it such that from the interviewee's point of view it should be angled with the top side to the left, or fairly straight, but when we see a close-up of it landing it's angled with the top to the right.

Jon Sandys

David Mills: You're no messiah. You're a movie of the week. You're a fucking t-shirt, at best.

More quotes from Seven

Trivia: Kevin Spacey made sure that it was in his contract that his name would not appear in any press releases or reviews, that his photo would never appear in any of the above, he was not to be mentioned in interviews nor was his name to be anywhere in the opening credits. He cites his reason as being that The Usual Suspects and Outbreak were both opening earlier that same year and figured that people would start to recognize his name. And he also figured that if people saw his name in connection with the movie and he didn't appear for the first 2/3 of the movie they would know that he was playing the killer, thus ruining the element of shock and surprise that the moment in the movie has built up to. To compensate, Spacey is listed first in the ending credits.

wolfchild

More trivia for Seven

Question: When shaving their chests by the end of the movie, Mills and Somerset are joking and then Mills gets serious, says "You know...?" and then stops. What do you think he was going to say? Maybe he was going to be nice to Somerset, but then refrained himself?

xerop

Answer: I've seen se7en hundreds of times, and I've always wondered what Mills was trying to say to Somerset, and here's my take. If you've noticed, the recurring theme between the two was their conflicting views on how they see the world around them. Somerset is the grizzled, experienced detective who has been through the ringer, so he's views are more pessimistic in nature. Which I can sympathize with. Mills being the rookie detective that he is, was the optimistic, "I'll be the hero" kind of guy. So much so that Somerset called him out for being too Naive, and that he can't be like that. So getting back to the question at hand. During the chest shaving scene, I believe Mills was about to tell Somerset that his dark pessimistic view of the world around them makes sense. Mills wanted to say that Somerset was right, which he wasn't able to bring himself to do.

Answer: I've always wondered this question as well. I think he was gonna say something along the line of "you know I haven't talked to my wife all day And that's very weird." Especially since Somerset just said be prepared for anything while transporting Doe. Speculation at best though.

When Mills and Somerset enter the station building just before John Doe gives himself up the female desk sergeant tells Mills his wife had phoned this puts Mills' wife into the mind of the viewer. When Mills says to Somerset during the chest shaving scene 'if I keep coming home late my wifes gonna think something up' is placing Traci again in the mind of the viewer. Then Mills says 'You know?' prompts the question what has happened to Traci.

Answer: Since he stands for wrath in the plot, in the said scene he was probably going to acknowledge his short-tempered nature. He doesn't and therefore he looses a chance of confession. What say?

Could be right. He certainly has explosive episodes of anger throughout the film. He may, just for an instant believe himself to be wrath. I think he ignores the thought because he is always optimistic, caring and believes in good. Therefore, due to these virtues he cannot be wrath. Somerset, the calmer, more laid back character is the pessimist who sees evil everywhere. One would think he would be angry at the world. Maybe he was like Mills when he was younger.

Answer: I've also seen Seven hundreds of times. I've spent hours breaking down each and every scene inside my own head and I still have a hard time fathoming how insanely perfect the relationship Andrew Kevin Walker created between Mills and Somerset. Somerset's ability to pick up on the smallest comments Mills makes helps reinvigorate his passion for being a detective at a point in his career where he has all but given up hope for the world around him. Mills shows moments of vulnerability many times during the film but maybe not more so than the chest shaving scene. Personally I don't think his statement of "you know?" has any literal reference to anything physically happening in the story. I think he's merely gathering the courage to thank Somerset for his help, guidance and mentorship over the course of the past Seven days. I think he stops because he feels simply saying "thank you" will make him appear weak in front of a man he's no yet ready to open up to.

More questions & answers from Seven

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