Visible crew/equipment: When Rains wakes up she stands up and shouts "Where is she? What have you done with her?" you can see the camera's shadow moving on her. (00:18:10)
Visible crew/equipment: When Maria and Carla Aristizábal (Lucy's sister) try to call to Colombia, just after Carla says, "Lucy no está.", the camera reflection is visible in the glass door of the phone booth.
Visible crew/equipment: In the scene where the team are searching for the killer, an overhead shot of the town shows some sort of a rain-making machine in the upper right hand corner of the screen.
Visible crew/equipment: The scene following the one where Elliot was inspecting the aircraft's vertical rudder, shows a long view of the aircraft in the desert, where a shadow of a helicopter and the helicopter itself appears in the background.
Visible crew/equipment: When Walter is driving down the highway with his family in tow, right after he explains to his kids why they're moving, he looks over at Joe with her head slumped against the window, and the reflection of some filming equipment (possibly the camera) is seen on the window at the bottom-right corner of the screen. (00:13:20)
Visible crew/equipment: After making love with William in the bedroom upstairs, Annabelle is sitting on the bed. The closet door creaks open and you can see an arm holding a stick move back into the closet after pushing the door open. It is visible just to the left of the chair by the closet door. (Film was viewed on The Movie Channel.)
Visible crew/equipment: During the fight sequence "The Last Two" between the remaining Treadstone agents, after Bourne is first shoved into the venetian blinds, look on the lower right corner (behind the wall) for a camera operator's hands and the lens hood of their respective camera. (00:41:40)
Visible crew/equipment: When Denzel is trying to get information on Samuel Ramos he is talking to a woman on the phone. When we first see her talking next to her computer, this shot begins looking over a rail and pulls back. As the camera pulls back, the track that it is sitting on is visible on the bottom right of the screen. You can also see electrical wire next to the track.
Visible crew/equipment: This movie is set in 1889. There are clear deep truck wheel tracks on the road when Gummer is about to leave Rejection. The steam tractor's wheels are too wide to make these tracks. (01:05:30)
Visible crew/equipment: When Riddick's team reaches the crematoria hangar with the Necros already there, there are two "lensers". As the camera pans to the first lenser full frontal it turns its head, and in the glass of its face plate you see the banks of studio lighting and camera crew. But when the scene cuts to what it is looking at, you see rocks. The effect also occurs when the second "lenser" turns its head , but the visible equipment is less. (01:24:45)
Visible crew/equipment: In the last scene, when Evan is walking down a busy Manhattan street, talking on the cellphone, you can see the red camera truck's reflection in a window on the other side of the sidewalk.
Visible crew/equipment: At the very beginning after the white van hits Matt, there is a crew member behind a hay stack. (00:05:50)
Visible crew/equipment: Three times you can see lens flare as the camera is pointing towards the sun: the airborne-shot of the Jefferson Memorial (in this one you can even see a part of the airplane or something else in the lower left corner), the Philadelphia skyline as they drive into Philadelphia, and the view from the "target location" of the shadow of the cross (near the brick containing the glasses) towards the steeple with the bell.
Visible crew/equipment: The white safety wire attached to XXXX can be seen when the camera pulls up after he is dangled over the edge of the building by Eddie Temple's thugs.
Visible crew/equipment: As Jenny gives Lars a hug, before he and Putman go off to the jungle, you can see her audio equipment tucked into the right hand side of her shorts. The next shot is of her walking away from the camera and the equipment is gone.