Continuity mistake: When Kimble goes back to the hospital as a janitor to check the hospital computer, the lady working in the lab is wearing two different dresses. (01:05:15)
Continuity mistake: When D-Fens attacks the Oriental shopkeeper he puts his foot on the shopkeeper's neck and his socks are clearly visible as white. However, a few minutes later when he removes his shoe to examine a hole in it on the hill, before being confronted by the two homeboys - his socks have somehow changed to black. (00:10:20 - 00:18:15)
Revealing mistake: When David pushes the pallets onto the car, it's obvious that there is no-one inside. Similarly, when he uses the forklift to pick up the car a few shots later, we see inside the car and there is only a badly constructed dummy-type object in the back seat, and no real people. Even if they had bent down, they should still be visible. (00:09:00)
Revealing mistake: In the final scene when Annie and Sam are exiting the observation deck coming towards the elevators, the New York skyline backdrop which should be visible behind them is missing, and the entire sound stage wall can be seen beyond the observation deck safety railings instead. 'Although the exterior and lobby of the Empire State Building, 350 Fifth Avenue at 34th Street, are the real thing, a slightly larger replica of the Observation Deck was built in a hangar at Sand Point Naval Base on Puget Sound just northeast of - where else? - Seattle.' https://www.movie-locations.com/movies/s/Sleepless-In-Seattle.php. (01:39:35)
Visible crew/equipment: When Henry helps pull Mark onto the treehouse at the beginning of the film, if you look very closely to the left you can just make out a crew member dressed in black helping him on to the platform. The crew member then ducks back under the platform.
Visible crew/equipment: When the love scene between Linda Fiorentino & Charlie Sheen happens they knock over a lamp but if you look closely a hand reaches out to grab it. (00:52:20)
Continuity mistake: In the hotel scene where Gavin is murdered, after speaking w/Darby, he eats one of the chocolates on his pillow next to the night stand. He leaves the chocolates and the Westin card on the pillow/bed. Then when they show a shot of Gavin sitting on the bed brushing his teeth while Khamel hides in the closet waiting to murder him, the chocolates and the card are gone. Then, after Khamel murders Gavin, the chocolates and the card reappear back on the pillow as Khamel walks over and eats one. (00:59:55)
Continuity mistake: In the scene in the kitchen while Daniel is looking for a face, his robe is not closed completely at the top, but as soon as Mrs. Stelner enters, the robe is done all the way up and quite tightly. After the face cream in the coffee, Mrs. Doubtfire leaves but quickly sticks her head back in the kitchen and her robe is again loose at the top.
Continuity mistake: When Pacino is talking to Rolando, he has a bottle of beer in his hand. The bottle hops all over the place in the scene. One minute it's in his hand, then on the table, then he's taking a sip from it...without Al Pacino moving. (00:16:25)
Revealing mistake: Just before A-Wax kills the guy in the red sweatshirt, you can see the squibs bulging on his back, underneath the victim's clothing.
Continuity mistake: 20 minutes into the movie, the detectives bring Calogero out to the street to identify who he saw with the gun. You see Calogero walk by Slick, who has his hands around a parking meter with his shirt open and unbuttoned. In the next shot, you see Slick again, but now his shirt is buttoned up.
Continuity mistake: When the two Ninja robots fight, the robot on the left loses his head before the blade strikes.
Continuity mistake: When Arnie is playing with the grasshopper in the letter box, the way he grabs the insect changes between a shot and another one.
Visible crew/equipment: In the prison scene where Popeye is showing Miklo around the part where it's said "Beto Suige lol" the boom mic shows as soon as Beto gets up. (00:45:13)
Continuity mistake: The word "DIREKTOR" written on the glass door of Schindler's office is little in one scene and bigger in another one.