Visible crew/equipment: The boom mic and even the boom pole are visible when Sugita and Chris ask Barry for messages at the hotel reception. (00:48:20)
Visible crew/equipment: When they are moving the catapult, if you look above Robin and Azeem, you can see a crew member in the window above them. He is wearing all black, but you can tell he is trying to get out of the shot.
Visible crew/equipment: When Brian is coming up the lawn to the back door to visit Helen, you can see Ron Howard and the film crew clearly reflected on the back door window.
Visible crew/equipment: During one of the railroad men's eyewitness accounts of what he heard at the time of the assassination, for only a second on the extreme far right of the screen during the obviously re-enacted footage of the fateful motorcade, you can see just ahead and on the driver's side of the Lincoln limosuine the white sedan lead car; however, you can see it is mounted with what appears to be a boom microphone and other equipment and crew members in the car - one has a headset on. (01:06:25)
Visible crew/equipment: Louise's sunglasses reflect equipment in several scenes, for example the camera when they drive to Oklahoma, or stage lighting when they wait at the train crossing. (00:33:25 - 00:41:55)
Visible crew/equipment: When Dolph tips over the car, you can see a reflection of a cameraman on the hood of the car. (00:37:20)
Visible crew/equipment: When Stone (with baby), Appleton, and Pookie are walking on the beach, the shadow of a boom mike passes over Appleton's hat.
Visible crew/equipment: When Frank and Tracy are about to surrender at the hotel and the cops start shooting, Frank yells "What the hell is going on here?" Frank then hides behind the car and you briefly can see the boom mike reflected in the car window. (00:52:20)
Visible crew/equipment: When Louison first enters Julie's apartment, for tea, as Julie walks him over to his chair, reflected in the glass cabinet up on the wall is a boom operator walking backward, holding the boom. (00:24:25)
Visible crew/equipment: When Thomas J. is leaving from his porch, after Vada tries sneaking him out of his house to go spy on her dad at the Bingo game, if you look down at Thomas J.'S shoes after he steps off the porch, the red tape mark is visible.
Visible crew/equipment: When Johnny Utah jumps out of the plane in the last free fall scene, he jumped out without a parachute. If you look closely, you can see that the stuntman who did the jump has a huge parachute on underneath his shirt.
Visible crew/equipment: When Bob approaches Scott in the bar, near the end of the film, two marks of black gaffer tape can be seen on the floor.
Visible crew/equipment: When Corky drives the two drunk musicians through LA you see a wonderful reflection of a cameraman and all his gear in her sunglasses. (00:03:40)
Visible crew/equipment: In the scene where the headmaster's furniture is outside, the shadow of the camera can be seen. As the camera moves into a high-angle shot, the shadow grows bigger.
Visible crew/equipment: When the car with Ruth and the others drives off and Frank steps onto the porch there is a reflection of a camera in the window to left of the door. (00:48:45)
Visible crew/equipment: In the scene after Ricky is killed, Tre is leaving Ricky's house, his girlfriend asks him what happened, Tre's dad pulls up.He is trying to calm down the girlfriend. When he does this, look at the lower left side of the front widow. You can see the boom mic on the window.
Visible crew/equipment: Toward the end of the movie Curly Sue comes back home from the orphanage. She sees the letter from Bill and begins to walk slowly to the living room - look left to the screen and you will notice something drop from above kinda looks like something silver, maybe a boom mic.
Visible crew/equipment: In the scene where Jack approaches Parry's bed, a crew member is seen on the right hand side of the shot wearing a walkie talkie. He inches out of frame in 3 or four seconds. (01:51:05)
Visible crew/equipment: Just after Edouard goes outside and Marianne is left alone in the art studio, Marianne walks around the room and looks at some of the drawings, before resting on the couch. Right before she sits down on the couch, just as she extends her leg, a boom mic can be seen in the bottom right hand corner of the shot, briefly entering the frame. (02:12:48)
Visible crew/equipment: When Ultimate Loser is talking to Stephanie from Dallas, the boom mic drops into the shot, when he says "ta-da."