Best adventure movie continuity mistakes of 1959

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Tarzan's Greatest Adventure picture

Continuity mistake: In the scene towards the end of the film where we see Slade's body fall, it falls onto a submerged rock just below the surface of the water and there is a splash of water. In the next shot Tarzan looks down from the cliff above and Slade's body is on a large dry rock, a little distant from where the body originally fell.

keiko

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Plan 9 From Outer Space picture

Continuity mistake: When the men first enter the spaceship, one of the windows shows an afternoon sky and the one next to it shows a nighttime sky. (01:11:20)

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More Ben-Hur continuity mistakes
The Horse Soldiers picture

Continuity mistake: When Colonel Marlowe blows the bridge near the end of the film, a pair of spectacular explosions ensue, tossing planks and beams into the air. However, as Hannah Hunter gazes at his retreating form, the bridge is still intact.

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North West Frontier picture

Continuity mistake: The escape train stops at a station at which another train has been the site of a massacre. One of the victims of this massacre has his head leaning out of a railway carriage window. As Kenneth More and Lauren Bacall from the escape train walk about the station, he can be seen raising and then lowering his head again as he realises that the 'take' is not complete.

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Journey to the Center of the Earth picture

Continuity mistake: After the villain (Thayer David) kills a duck, a boulder begins to move and brushes the side of his right leg as seen in a close-up and both legs can squarely be seen as he is standing beside the rock. The scene changes to a stunt-man who has his left-side towards the camera and this time his right leg is closer to the boulder which pushes him over a ledge. (01:50:35)

Larry Koehn

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Third Man on the Mountain picture

Continuity mistake: The background shots of the Matterhorn show it with a clear sky, then a cloud around it, then a clear sky again. This keeps happening.

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The Angry Red Planet picture

Continuity mistake: When the MR-1 first lands on Mars, the sky visible through the portholes is fiery red, which is the uniform color of all exterior shots in the film. However, a whole series of interior shots throughout the film show that the sky visible through the portholes is suddenly and inexplicably baby blue. At two points, when Iris sees a Martian through the porthole, the sky momentarily turns pitch black.

Charles Austin Miller

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