Visible crew/equipment: After The Cowboy has put out his cigar in his hand he flips through a magazine. At two points you can see the protective item he's got in his hand to avoid getting burned by the cigar. (00:54:45)
Visible crew/equipment: A boom mike drops into frame during Jay Mohr and Scott Wolf's dialogue at the supermarket.
Visible crew/equipment: When Ocean tells the Nightfox about the fake Faberge, there's a shot of the Nord Train. When we see the left side of the train, watch its window and you will be able to see a camera and a cameraman reflected.
Visible crew/equipment: When the train cars are decoupled, behind the vapor cloud, a person is hanging from the left side of the train car but does not resemble any of the characters in the scene. (01:47:00)
Visible crew/equipment: When Chazz and Jimmy are in the house a crew member is reflected on the glass window.
Visible crew/equipment: When the GTO is driving to Knoxville, there are a few shots of the GTO passing other cars. When we see the black convertible with 2 girls in it, look in the black paintwork and you can see the camera boom clear as day. (00:35:45)
Visible crew/equipment: When Cad and Shoeshine are sitting down at brunch, you can see a crew member reflected on the brunch.
Visible crew/equipment: On the second roller coaster in Wally World, as they begin leaving the station and going up the lift, crew can be seen crouching in the background trying to hide.
Visible crew/equipment: Near the beginning where Philo parks his truck after speaking to Orville who is taking Ma to do her driving licence, you can see a crew member (wearing a white cowboy hat and sunglasses) reflected in the side mirror of the truck.
Visible crew/equipment: In the scene where Lars is in the string factory alone and the machinery pulls on loose threads on his clothing, there is a shot where a crewman's arm can be seen through some mesh holding the thread.
Visible crew/equipment: At the start of the scene where Evan is racing to the school to get to the choir, you see some buildings. If you look down when the angle is turning to the right, it focuses on some cranes, a camera, and a wire holding it up, and a crew member is visible in the reflection of a red window.
Visible crew/equipment: When Roy grabs unconscious June and parachutes her off the plane, she stares at him and 3 stage lights plus a lighting screen are reflected on her goggles.
Visible crew/equipment: In the scene where Lily and Dan are doing it in the car, you can see someone sitting in the front seat in the car rocking it.
Visible crew/equipment: When Craig and Smokey are chasing Little Chris for the first time you can see the shadow of the camera on Chris' right hand.
Visible crew/equipment: When Jimmy Fallon and Drew Barrymore are taking their seats after the guy yells peanuts and crackerjacks, if you look carefully you can see some of the seats behind are actually filled with mannequins dressed with clothing. Some of them don't even have arms. (00:38:00 - 00:41:00)
Visible crew/equipment: When Captain Dodge is sitting down to talk to Lake, you see the boom mic follow him down. (00:56:10)
Visible crew/equipment: In the scene of the car chase, when Josh Hartnett is driving the van with the family in it; right before they crash against the wall (in a side angle shot) you can see that the kids in the van are actually stuntmen, because they look a lot bigger than children.
Visible crew/equipment: When the O'Grady mob are fighting the Angels, Alex turns off the lights. Just after they flip over the men, you can easily see the harnesses at the top of the screen. (00:54:25)
Visible crew/equipment: When Alan throws his father's broken radio into the box and he turns around to talk to the girl on the ladder, the reflection of a crew member wearing a white T-shirt can be seen in the monitor on the desk as the camera follows Alan. (00:30:40)
Visible crew/equipment: When Johnny is spinning the two robbers around, you can tell that he is actually holding dummies. In the close up shots of the robbers, you can see them kicking their legs, but in the wide shots of the room, they are rigid and lifeless.