Continuity mistake: Near the end of the movie, when Oppenheimer is being interrogated in the small room, his lawyer is on the phone (we later find out it's Kitty). In a wide shot, he gives Oppenheimer the phone, and he puts it to his left ear. The next shot is a tight shot of Oppenheimer's face with the phone to his right ear.
Visible crew/equipment: When Melissa dodges the truck that has fallen from sky and Dusty rushes to open a door and help Melissa get out of the truck, the reflection of a camera is seen in the bottom right corner of the truck window. As they move out and pan to the right, you can see a reflection of the same camera and cameraman at the bottom right corner of the truck door as they move away. (00:33:50)
Continuity mistake: At the cemetery, when Harry is trapped at the statue, Voldemort raises his right arm and places his finger on Harry's forehead stating, "I can touch you now." While Voldemort's arm remains raised his sleeve slides down towards his shoulder, but is back up at his elbow in the close-up. He seems to have the same problem in other shots during this scene. (02:01:10)
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Trivia: Writer/director Marc Lawrence went to Binghamton University.
Plot hole: The whole premise of the movie is that due to a botched spell, people who happen to know that "Peter Parker is Spider-Man" are pulled inside this universe. It's a bit of a stretch already that amongst those people is...Peter Parker himself, twice over, but let's say it makes sense. The problem is that Jamie Foxx's Electro does not meet this condition; he never found out. You could say it's a retcon or it's a different universe from the original movie's, but even this cop-out explanation is negated by the movie itself when Max Dillon makes a joke that shows that he didn't know Spidey's identity or even race.
Suggested correction: Although Max didn't discover Peter's identity on film, an explanation of why Max knows his name IS offered. When the villains are talking about what happened before they found themselves in the MCU, Max indicated that once he tapped fully into the power grid and information systems, there was nothing he didn't know at that point. Since we know there is a clandestine organization tracking Peter from the end of ASM1, it's possible Max gained the info from their database.
In the interest of clarity, you refer to the one line that goes "I was stuck in the grid, absorbing data."? Nothing about tapping fully, and becoming omniscient as the correction presents. So we have to give it that specific meaning and make a connection to the obscure postcredit scene by Fiers in the unfinished trilogy that asks Connors if he said anything to the boy imagining that it produced data that was 'on the grid' somehow, and Electro never processed this information in the movie. Not sure if it's quite an"explanation offered", since the movie offers none. It's a 'possible' explanation like the other one people use, about hearing Gwen say Peter's name (I like this one better because at least it would give a special meaning to a throwaway line and I do I love attention to details).
Suggested correction: I don't find it such a stretch that he knew Peter's name but didn't know what he looked like.
When Spider-Man is explaining his plan to defeat Electro to Gwen, Gwen addresses him as "Peter." Electro was laying on the ground nearby and likely would have heard this. Presumably, knowing that Spidey's real name was Peter was enough to pull him in.
There are almost 10,000 "Peter" in New York alone in our world. Knowing just the super-common first name wouldn't cut it and the movie does nothing to support this theory, in fact does everything to undermine it (Strange's explanation, Electro's joke, complete lack of addressing it, etc). Also if he overheard that bit in the original movie, he would have also learned their plans to defeat him.
Suggested correction: I guess we're all going to ignore the fact that this Electro has a completely different look than the Max we saw previously. It's quite possible he's from a different universe.
He's not from a different universe than the Electro from The Amazing Spider-Man 2. The Lizard and the Andrew Garfield version of Spider-Man both know who he is, and he talks about events from the aforementioned film. His different appearance is also explained in the film.
All that means is he went through similar experiences and has a similar appearance as the Max they knew. Ala J. Jonah Jameson.
Suggested correction: It's not people who know who is Spider-Man that are spilling in, it's people who are connected to him in any way.
No, no. Strange says it explicitly "That little spell you botched, when you wanted everyone to forget that Peter Parker is Spider-man? It started pulling in everyone who knows that Peter Parker is Spider-man" and so on. That's why in the end they fix it by making everyone forget who Peter Parker is, not who Spider-man is.
Audio problem: During the Tea Party scene, the Mad Hatter and March Hare ask Alice to tell her story. After the Mad Hatter says "And when you come to the end, stop!" audio follows of the voice director saying "great," leftover from the original recording. (00:45:40)
Morpheus: You take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill - you stay in Wonderland and I show you how deep the rabbit-hole goes.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Question: What does the Phantom eat and what does he spend his salary on? Presumably he can't just go to the shops etc with his mask on. If he doesn't leave the opera house where does he learn his skills like driving a carriage, who does he practice sword fighting with? Wouldn't his health suffer if he spends decades living in this damp cold rat infested place wading through lakes all the time? He even complains about it being cold himself at one point. Surely if it snowing outside his lair can't be warm but he's not wearing much.
Answer: First, it is established in the movie that he is dependant on Madame Giry and it is presumed she does his shopping for him. As for learning skills, it is established he is a genius and one can assume he is very well read. Additionally, for single handed skills, like driving a carriage, he can possibly go out at night to learn them. As for his living conditions, the human body adapts well to continuous conditions, it is how the people in Siberia can tolerate lower temperatures better than those who live close to the equator. Lastly, one can easily assume he has other (warmer) clothes that he wears off camera.
There is a character simply known as 'the Persian' He has known the Phantom his whole life and would have taught him horse driving. In the book, the Phantom has a life before the opera house where he would have learned fencing and torture. Also, the phantom knows all the secret passages. When it's cold he leaves his lair and lives someplace warmer.
You're totally right but also, in addition to your mention of The Persian, in the book it is he that is the Phantom's only "friend" or whatever but in the movie there is no Persian exactly but the two Characters Madam Giry and The Persian from The Phantom of the Opera by Gaston L. Are both combined as one, to be know as Madame Giry in the 2004 flim.
Continuity mistake: Spot finds four other humanlike creatures and goes to them. Arlo is standing several feet in front of them. He begins to push some dirt by using his nose. A close-up then shows him using his nose to draw a circle around the five others but he is standing much too far away to be able to do this.
Trivia: Bob Geldof hates this film. He is quoted as saying "I hated it! I was embarrassed. I didn't know what I was getting into... I thought my acting was terrible. The script was ridiculous. And I hate Pink Floyd. As you may recall I was a punk rocker, so if you want to say something just keep it to three minutes..." He had to be physically restrained by director Alan Parker when he tried to get up and leave during the preview screening of the film at Cannes. In his autobiography "Is That It?" he trashes the film at length, labelling the script as puerile nonsense, and is particularly scathing about the political stance it appears to take. He had a miserable time on the set (reportedly, so did everyone else) and now refuses to even talk about the film or his experiences making it.
Factual error: When they are trying to navigate the shuttle through Eadu, the shuttle abruptly collides with a rock, which causes Bodhi to jolt backwards. If the shuttle hitting the rock had caused the shuttle reduce speed so abruptly, in the way that was shown, then Bodhi would have jolted forwards, not backwards. (00:57:05)
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