Visible crew/equipment: In the closeup of Evie when she is holding a spoon under her eyes, you can see the boom mic reflected in each spoon. (01:04:15)
Visible crew/equipment: In the scene after the huge fight with the Buddists, Jack Nicholson speeds off in his Land Rover and cuts into traffic to get away from the monastary. If you look three cars back there is a state trooper weaving through both lanes to make sure the set is closed. He stays visible throughout the scene. (01:07:35)
Visible crew/equipment: Right before the wedding Michelle is talking to Jim's father about her vows. Behind them on a table there is a mirror and you can see the arm of a crew member reflected in it several times. (01:21:35)
Visible crew/equipment: Aboard the Jolly Roger after Smee jumps overboard, Peter flies up to catch his sword and a pirate who yells, "I got him!" grabs hold of Peter's ankle. When Peter flies off in the wide shot, as the pirate holds his leg, he passes the mast and not only are the four wires attached to Peter's backside pleasingly visible while he flies, the two wires at the pirate's shoulders are visible as well. (01:24:55)
Visible crew/equipment: In the scene when Ben and Andie are having the couple's counselling session, in the reflection of the counsellor's glasses, you can see the filming crew. (01:09:36)
Visible crew/equipment: At one point in the fight in the secret lair of the bad guy, Frankie Muniz jumps sideways over what seems to be an engine block. While he does this, the hood on his hoodie is up, presumably to hide the face of the stunt double, but before and after it is down.
Visible crew/equipment: During the scene when Inman is ploughing his lone furrow he is not quite alone. In the final shot, when he is in the foreground and Ada is playing the piano on the horse-drawn wagon in the background, a pair of hands and arms can be seen at the left hand edge of the screen guiding the horse which is pulling the plough.
Visible crew/equipment: When Frances and Marcello are standing on the beach, right before they kiss, Frances has her sunglasses on her head, and looks down at the ground and laughs. When she looks down, watch in the reflection of her sunglasses, and you can see the camera crew along with all the lights behind the camera.
Visible crew/equipment: When Donna and her boyfriend leave his family's house in the end, in the front window of the house you can see a white van and film crew.
Visible crew/equipment: When Bob is taking a bath and receives a phone call from his wife, a microphone is visible in the upper left, coming from behind a wall for a few seconds.
Visible crew/equipment: When the book becomes a bestseller we see several shots of bookstores around the world. Watch the Chinese bookstore's glass. In the left hand corner you can see the reflection of metal tubes from the camera and the props.
Visible crew/equipment: When Sam is running through the airport to catch up with Joanna, there is a long shot of him running towards the gate before he jumps over the guard at the security gates. In this shot there's a very clear glimpse of the spring board he uses for the jump.
Visible crew/equipment: When Adam is riding in the car behind Polina on the way to her house on St. Charles, her scarf is supposed to be blowing in the wind, but you can see a thin wire/line holding it up at the end of the scarf, plus it makes the brim of Adam's hat move as the wire hits it.
Visible crew/equipment: At night in the hotel room, just before Lee announces that she's going to quit "hooking", a crew member walks in front of the lighting and casts a shadow on Selby. (00:38:40)
Visible crew/equipment: When Lizzie and Paolo run up to where they watch the fireworks, their tape marks are visible on the ground.