Revealing mistake: Most of the posed, fake displays in the ape's Museum of Natural History contain real people who are slightly moving if one pays careful attention. Especially noticeable are those posing with objects held in - or above - their hands.
Revealing mistake: When you see the first shot of the dead Mercutio, he's still breathing.
Revealing mistake: After the accident with the German car crashing into the pile of snow in which the Germans were killed, Schaffer first hangs an MP40 on his shoulder and then somehow pulls up a body with only one hand. And with the changing of the grip, (from chest to legs) the 'body' stands on his own feet to give Schaffer the time and opportunity to do it properly. (00:50:10)
Suggested correction: Schaffer uses two hands to pick the body up his left hand grabs the body's right arm and his right hand grabs the body's tunic (under the body's chin).
Revealing mistake: When Walther Matthau is making sandwiches for his poker pals (during the movie's first poker game), Matthau drops a slice of bread on the kitchen floor. If you look at his hand, you'll see that he flicks his thumb to make the slice of bread fall.
Revealing mistake: Except for the one that crashes, every single helicopter in this film is 100% factory fresh, brand new - no mud spatters, no scratched paint, not a dent or a blemish anywhere. They look like they just rolled off the production line. Strange that, on the front line in a war zone and all.
Revealing mistake: Jack Elam gets bothered by a fly crawling over his face (nice stunt, actually). When the fly moves over the bench, just before he catches it with the muzzle of his gun, look at the hind legs. You'll notice that the fly is dead. (00:07:50)
Revealing mistake: Whenever Dr. Nemur is smoking, you can tell the cigarette's not lit, because you can't see any smoke. When Mrs. Kinnian smokes in the movie, plenty of smoke is visible.
Revealing mistake: Just after the scene where the doctor asks Columbo to switch off the light before leaving, the detective does so, but it can be seen that both light switches are down before he does this, and that they are still both in the down position after he "switches off" the light.
Revealing mistake: Towards the end of the film when the old guy (Ed Begley Sr) is shooting a rifle at Clint Eastwood, the thumb of his left hand is on the top of the barrel, preventing him from seeing the front sight.
Revealing mistake: During the bank hold-up at the beginning of the film, one of the pushes a man on the wall. It wobbles like cardboard.
Revealing mistake: When Bullitt is in the Coffee Contata restaurant, he called Delgetti at the grungy hotel. Bullitt didn't look at a note for the supposedly unfamiliar phone number, but it seems as if the number wouldn't take much to remember, either. The number Bullitt dials on the rotary phone sounds as if it is made up of only the digits 1, 2 and maybe a 3, to not slow down the sequence.
Revealing mistake: Rosemary crosses 5th Avenue as she goes looking for a bookstore to find more material on witches and a lot of bystanders can be seen staring at the film crew. (01:36:10)
Revealing mistake: At the beginning of the movie Geoffrey organises an ambush on a group of infantrymen marching on a pristine beach. When the second group of horsemen attacks there are already tracks in the sand, obviously from previous takes. (00:08:55)
Revealing mistake: Despite being supposedly close to the North Pole, we never see the actors breath and their shadows should be long, but they are very short.
Revealing mistake: When Buck and the gang ride away from the saloon in Dallas where JC made a few new 'friends', the footage is sped-up for a second just as soon as James Caan jumps on his horse. (00:05:50)
Revealing mistake: When Matt and Freya are attacking the compound, at one point he goes outside and throws a "hanky panky" grenade at what looks like a garage door. He throws himself over a hedge and a moment later the grenade explodes. When he is getting up, the "ground" is obviously a cushion covered with fake grass.
Revealing mistake: When we first see Oliver Reed, we see his shadow first on the wall at a ramp to the pub. As his shadow spreads its legs, we then see him spreading his legs a moment later. Shadow puppetry was used by the director to give the audience the impression that he is ominous and foreboding before we ever see the man himself. (00:54:10)