Plot hole: The huge guns are set high up on a cliff face facing out to sea and it is obvious that they cannot be depressed to fire at a downward angle - the massive gun carriages set on rails would prevent that happening. They cannot be elevated to fire at an upward angle, too, because they fit pretty snugly in the hole cut into the cliff face to accommodate them. This means that their maximum and minimum ranges would be quite close together, covering a strip of maybe a few hundred metres either side. Given that the sea is completely open on the side of the island they are protecting, why don't the ships targeted by the guns while passing the island simply sail inside or outside of the narrow stretch of sea the guns can hit?
Visible crew/equipment: On the beach there's a battle charge, and in the foreground you can clearly see a set of tyre tracks from the camera vehicle preceding the charge.
Continuity mistake: When Maria is hitting Tony while saying "Killer," her hair is across her left cheek. In the next shot, it is completely away from her face. (01:48:20)
Revealing mistake: During several of the driving sequences, the teenager in the driver's seat turns the steering wheel - but the rear screen projection keeps the car "moving" in a straight line. And it's particularly ironic in light of the movie's "big message" that the students here bear no resemblance to real-life teenagers in any real school. They're all slim, trim, athletic and model-gorgeous, as well as all-too-obviously not teenagers at all. (Because US child labor laws severely restrict the hours that underage actors can work, many films "cheat" by having youthful 20-somethings play the teens.)
Continuity mistake: When Jesus is being flogged, he is turned over onto his back, and whipping is heard. Later on, no marks are to be seen.
Continuity mistake: Near the end of the movie, when George Peppard is talking to Audrey Hepburn in the alley and it's raining heavily, his hair switches between being combed back and combed to the side. Very obvious - this takes place several times.
Continuity mistake: At the beginning of their first pool match, Fats' collar goes from buttoned to loose, to back buttoned in only a moment on-screen.
Other mistake: When they're roping the mustangs, the "stallion" doesn't have the genitals of a stallion.
Other mistake: When the parent monster is just about to enter Piccadilly square, for a brief moment a view of a bus is shown. The writing on the bus is reversed.
Continuity mistake: During the scene, when Natalie Wood goes with Toots to make-out point after the dance and jumps in the water, it's supposed to be late at night. When they cut back and forth between shots at the waterfalls and Warren Beatty waiting for Natalie on her porch, all the scenes at the falls were shot in broad daylight, while the ones of Warren on the porch are at night.
Revealing mistake: When the two gangsters open the car trunk to move the bagged dead body, it moves during the duration of the scene. (00:28:40)
Continuity mistake: The trees outside the court windows (behind the Judges) change places.
Visible crew/equipment: While approaching the two test pilots in the hanger, the shadow of the camera can be seen on the lockers. (01:31:00)
Revealing mistake: At the beginning of the movie, Talua is depicted as an isolated island in the South Pacific. Several shots show other islands in the movie. Many segments were shot in Hawaii (Maui) and you could see the Island of Hawaii in the distance.
Continuity mistake: When Mr Stringer picks up Miss Marple from Akinthorpe Hall in his car, Alexander, as a harmless joke, has tied a string of old shoes and empty cans to the car and put a sign 'Just Married' on the back of the car. As the car first drives off, the sign is seen falling away, but when we get a different shot, the sign is well secured.
Factual error: Delilah is shown stirring a pot of ears of corn. Corn was not known until native Americans introduced it to settlers in North America in the 16th century.
Visible crew/equipment: As the man walks down the corridor, before being asked for a match, on the left wall there is a shadow of the boom, and briefly the sound man holding it. (00:16:25)
Revealing mistake: The Son of Hercules brings to the nearby village the old man that died on the beach. You can see the 'corpse' move his arm to assist Mark Forest as he dismounts him from the horse.
Continuity mistake: Chet visits his friends that are playing poker. He falls asleep and wakes when he hears the news on the radio. The band aids on his wound change abruptly position in close-up. (00:12:10)
Continuity mistake: Doris picks up the phone and there's a cutaway shot on Johnny playing his guitar as he listens. The stockings Doris tossed at him are gone from the guitar head, but they are back when the phone call is over. (00:05:10)
Suggested correction: The guns are firing across a strait. A strait is a "narrow passage." Since the targets must appear at a limited range, the guns only need a limited elevation angle.
Noman ★
Watch the film again. The guns are facing the open sea. There is no land visible anywhere behind the ships. If that's a strait, it's a very, very wide one.
The mission given says the guns are guarding a strait. The last shot of the six destroyers shows land behind them on the opposite side of the strait.
Noman ★
Other summaries explain that the strait is only deep enough for the ships at the place which matches the guns' range. So ships could not take advantage of further away or closer in.
Then what are the dark shapes rising out of the sea on the far side of the ships. If they are not islands, what are they?
Noman ★
Suggested correction: That the gun carriages are supposedly set on rails is not correct. In the novel template, as well as in the film, it is shown that the guns were installed on turntables. And as for their variable angles of fire - it could be due to (fictional) modifications.
Daniel4646