Question: Is cousin Tilly Bailey, the secretary at the Building and Loan, Uncle Billy's daughter?
Question: At the end, Orson Welles is wounded and flees up a ladder out onto the face of the church clock. The clock contains an automata of statues that move in front of the clock face. One statue holds a sword which impales Orson Welles. We have a distance shot in which the sword is sticking out of Orson Welles' back. Orson Welles presses against the statue to withdraw the sword and falls to his death. Is such an end feasible? Surely, for a sword to fully pierce a human body it would have to be very sharp and be driven with incredible force and speed. Would the statue be moving with anything remotely approaching such force and speed? And surely a statue on a clock would not carry a real sword, but a facsimile, meant to look like a weapon from a distance? And, if somebody was pierced completely through with a sword, could they press their body forward to fully withdraw the weapon? (01:34:45)
Question: Holmes says he realised that Inspector McDonald was an impostor because he supposedly knows the 'real' Inspector McDonald of the Edinburgh police. As shown in the other movies and Conan Doyle's original stories, there are several Inspectors working for Scotland Yard in London (another British city), which begs the question: does this resolution Holmes mentioned about two British Inspectors having the same surname make sense and, if so, why?
Answer: If you're comparing the film to Arthur Conan Doyle's original Sherlock Holmes stories, then any discrepancy does not really apply. The Basil Rathbone films were mostly loose adaptions of Doyle's work, often incorporating plot elements from multiple stories or were original screenplays with new characters. There was little regard to consistency and small plot details. "Terror by Night" was an entirely original story. The original Sherlock Holmes stories were set in the late Victorian era while the 12 films made by Universal Studio films mostly took place during World War II, and often had Holmes fighting Nazis and enemy spies. The first two Sherlock Holmes films were made by 20th Cent. Fox studio and were generally faithful to the original stories.
Actually, my question is related to the movies themselves and it's not a comparison. There are still several inspectors working for Scotland Yard in the Basil Rathbone saga too (I've made an entry edition to include this).
Thanks for clarifying, though you stated, "as shown in the other movies 'and' Doyle's original stories." Much of my previous answer still applies. The Basil Rathbone movies were not a definitive interpretation of Sherlock Holmes. The first two by 20th Century Fox were mostly faithful to the original stories. The 12 later Universal Studios films were lower-budget, cranked out in rapid succession for profit, and shifted the time period to the mid-20th century for cheaper production costs. The studio's mandate was the films were, "to simply be entertaining B pictures." There was little regard for historical accuracy or plot continuity from film to film. Scripts were simultaneously developed by different writing teams. The 12 films had multiple directors and screenwriters who were focused on their individual projects.
Actually, almost all the movies were directed by Roy William Neill (11 of 14).
That's true, but many different screenwriters were simultaneously working on the various movies. It's also typical in Hollywood for uncredited "script doctors" to revise scripts, further adding to small inconsistencies. Universal Studios had a seven-year contract with the Doyle estate to make the Sherlock Holmes films. They produced them quickly, releasing three movies per year. Under the contract, Universal was allowed to make plot revisions, create some original stories, and modernise the setting (making it more topical and cheaper to produce).
Chosen answer: We know that Tilly (Matilda) Bailey is not Uncle Billy's daughter, because when Billy "loses" the deposit money and rushes back to BBB&L, George tells him that Harry's on the telephone and we hear Tilly say, "Hurry up Uncle Billy, long distance from Washington," so presumably she's George's cousin and Uncle Billy's niece. (When there's the run on the bank we see her desk, and there are a few photographs of men, one of which may be her father).
Super Grover ★