Ssiscool

Collateral Damage - S6-E7

Continuity mistake: When Tony and the new recruit are discussing working for Gibbs, the recruit has part of the folder in his hand. Camera changes and his hand is empty. (00:15:50)

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Collateral Damage - S6-E7

Visible crew/equipment: When the pickup is located we see Tony's car pull up and a camera crew reflected in the paint work. (00:06:00)

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Murder 2.0 - S6-E6

Continuity mistake: At the end, McGee has his headphones in both ears. Camera changes and now 1 earphone is out. (00:40:20)

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First Down - S2-E4

Continuity mistake: When Abruzzi is shot, he falls backwards and lands with his head pointing towards the wall of the motel. Cut to the FBI agent, then back to Abruzzi, and he is now lying the complete opposite way, with his feet pointing towards the wall. (00:36:30)

Twotall

First Down - S2-E4

Continuity mistake: When Tweener is in the car and he turns the radio over, his arm is holding onto the top of the window or leaning in depending on the shot. (00:07:00)

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First Down - S2-E4

Continuity mistake: During the car chase in the beginning of the episode, Bellick's car swerves to avoid hitting a truck as they go over a bridge. The next shot is from in front of the cars, and in the background you can see the bridge and a stretch of road behind it, but the truck has vanished. (00:02:40)

Twotall

Scan - S2-E3

Continuity mistake: When C-Note goes to his daughter's school, he leans against a pillar amongst the railings. Camera changes and now he's further along the railings as the pillar is gone. (00:27:10)

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Scan - S2-E3

Continuity mistake: At the start the amount of blood, and position of the blood, changes on Lincoln's leg. (00:03:20)

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Otis - S2-E2

Continuity mistake: When Michael is sitting in the park he's staring at the front page of the newspaper. As the camera follows a man in the park you can see that Michael has opened to the midpages, but in the next shot Michael is looking at the front page again, before opening it another time. (00:02:00 - 00:02:30)

Capitol Offense - S6-E3

Continuity mistake: When Abby is wiping the table at the start, her hand position jumps instantly. (00:04:15)

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Agent Afloat - S6-E2

Continuity mistake: On the carrier, Ziva and Tony are walking down a corridor. A crewman says "excuse me" and squeezes past, only to vanish instantly. (00:26:40)

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Dog Tags - S5-E13

Continuity mistake: When McGee's gun slides away it ends up next to a hose pipe. When we next see the gun, it has rotated and is away from the hosepipe. (00:00:45)

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Corporal Punishment - S5-E10

Continuity mistake: When Tony is giving his speech back at HQ, the folder keeps changing from in front of his chest to at his side. (00:06:10)

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Lost & Found - S5-E9

Continuity mistake: The name of the paper Jenny is reading changes from "Stars and Stripes" to "The Mini..." (00:12:10)

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Show generally

Continuity mistake: We are often shown the same NCIS form used for searches. However the form is constantly changing design. Even in the same episode on some occasions.

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Requiem - S5-E7

Continuity mistake: Abby takes a photo of Gibbs and Maddie. Gibbs has his coffee cup in his hand and Maddie is looking unhappy. When Abby hands Gibbs a hard copy of the picture, the coffee cup has gone and Maddie is smiling. (00:06:20 - 00:19:20)

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Manhunt - S2-E1

Continuity mistake: When Steadman takes out his gun, he presses it to the back of Veronica's head. She does not flinch or shy away from the gun, but in the next shot, a close-up of Steadman, the gun muzzle is pointed at the camera with Veronica off-screen, and so the gun is suddenly not touching her. (00:22:40)

Twotall

Cell Test - S1-E3

Continuity mistake: Michael is in the infirmary raising his hands to his face, camera cuts and he does the motion again. Camera cuts again and he performs the motion for a third time. (00:02:30)

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Nine Lives - S6-E5

Continuity mistake: When Fornell walks past the reporters at the court house he passes The Wall. Camera cuts and he has jumped back and isn't near The Wall. (00:36:30)

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Nine Lives - S6-E5

Visible crew/equipment: Just as Fornell shouts "protecting your men" at Kale, a camera and crew are reflected in the mirror. (00:33:20)

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