Inception

Continuity mistake: In the scene on the airplane when they are setting up to go under, Yusuf takes a sip from a wine glass and goes to set it down. Then in the shot immediately following he no longer has a wine glass in his hand. Instead he is buckling his seat belt. (01:03:50)

Revealing mistake: When the chase in Mombasa has just begun, the camera is moving in front of Cobb at one point. Notice how the people behind the camera are moving into Cobb's paths, despite the fact that they weren't there a second ago?

Friso94

Continuity mistake: As Cobb is explaining to Ariadne the importance of imagining new places to create dreams, the positions of his head, arms and hands change between shots.

windibd

Cobb: We need the heir of a major corporation to dissolve his father's empire.
Eames: Well, you see, right there you have various political motivations and anti-monopolistic sentiment and so forth, but all that stuff is at the mercy of your subjects own prejudice. What you have to do is start at the absolute basic.
Cobb: Which is what?
Eames: The relationship with the father.

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Trivia: The "architect" Ariadne's name is taken from the character in Greek mythology who gives a thread to Theseus so he can find his way out of the Minotaur's labyrinth.

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Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.

Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.

jshy7979

Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.

Tailkinker

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