Inception

Character mistake: In the final scene Cobb's children class him "daddy!" but Cobb's son also calls him "Leo!"

Character mistake: On the Shinkansen train, Cobb says, "I'm getting off in Kyoto." Not exactly wrong, but a moment afterwards they are in Tokyo and you see the Tokyo skyline.

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Suggested correction: Yes. He gets off at Kyoto and says "every man for himself." Perhaps this stage of the plan was for him and Arthur to split up to avoid a tail (we do see later that he is being tailed). But regardless of the reason, we see that it is daylight when he leaves the group to get off at Kyoto. Plenty of time for him to be in Tokyo by nightfall.

jshy7979

Revealing mistake: When Ariadne is pulling the two huge mirrors close together underneath the bridge with Cobb, watch her when she is closing the second mirror. She steps over something even though there is nothing present for her to step over. There must have been a green screen frame there for her to step over.

More mistakes in Inception

Eames: You mustn't be afraid to dream a little bigger, darling.

More quotes from Inception

Trivia: The "architect" Ariadne's name is taken from the character in Greek mythology who gives a thread to Theseus so he can find his way out of the Minotaur's labyrinth.

More trivia for Inception

Question: When Cobb finally gets home to see his children at the end why don't they look any different from his memories? The story implies that he's been gone for a long time yet they don't appear to have aged.

Answer: The answer above is solid and I agree, but there's another plausible way of looking at it. It is implied at the end that Cobb could still be dreaming (we never see if the top stops spinning). If that's the case, then he would likely dream his children to be exactly how he remembers them.

jshy7979

Answer: The story really doesn't imply too heavily exactly how long Cobb has been on the run. Very few clues are given, so it could quite plausibly be less than a year since his wife's death, in which case their children would not have aged dramatically. Their voices on the phone seem compatible with children of the ages shown at the end of the film and Cobb shows no concern when reunited with them that they should be older than they are. Two sets of children are listed in the credits, of different ages.

Tailkinker

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