George: Well, she apologized, and then she wanted to know if we could get together Wednesday afternoon.
Jerry: Get together?
George: Maybe she just wants to talk to me.
Elaine: Married women don't "get together", they have affairs.
George: Oh my God, an affair. It's so adult. It's like with stockings and martinis and William Holden. On the other hand, it probably wouldn't cost me any money.
George: I said "God bless you", is that so wrong?
Jerry: The question is, did you allow a space for the husband to come in with his "God bless you"? Because, as the husband, he has the right of first refusal.
George: Yes, yes, I definitely waited. But let me say this, once he passes on that option, that "God bless you" is up for grabs.
Jerry: No argument, unless she's one of these multiple sneezers and he's holding his "God bless you" in advance until she completes the series.
George: Well I don't think she is a multiple sneezer, because she sneezed again later, and it it was also a single.
Jerry: What if she's having an off night?
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73